Duba Sambolec - Hands (04:10)
Production: Filmska šola z Mirjano Borčić / Pionirski dom Ljubljana, 1969/1970
The film was shot on 8mm black and white film. It was created at a film school with Mirjana Borčić in Pionirska dom in Ljubljana while Sambolec studied at Faculty of Law, University of Ljubljana, and before her studying of sculpture at the Academy of Fine Arts in Ljubljana.The amateur film, as the artist calls it, consists of short scenes of close-ups of her hands against a dark background with vertical lines. According to the artist, it is an animated film with a living object. The starting id...
DIVA 1970-1979
7 results in works
Ana Nuša Dragan - H2O (02:00)
Production: Ana Nuša Dragan, 1970
After early silent black-and-white short films, this is the artist's first film that is more experimental. She shot it during the summer film school in Koper in 1968. It is already sound and colour film and it shows various expressive procedures and greater knowledge of editing. At that time, she and her colleague Tone Rački were in charge of film education at the Pionirski dom in Ljubljana, where they had a camera and 88mm films, and it was also possible to edit them.
Production: Ana Nuša Dragan, 1970
After early silent black-and-white short films, this is the artist's first film that is more experimental. She shot it during the summer film school in Koper in 1968. It is already sound and colour film and it shows various expressive procedures and greater knowledge of editing. At that time, she and her colleague Tone Rački were in charge of film education at the Pionirski dom in Ljubljana, where they had a camera and 88mm films, and it was also possible to edit them.
Ana Nuša Dragan - Communication Gastronomy (02:45)
Production: Ana Nuša Dragan, 1971
Communication of Gastronomy is one of the author’s early 8mm films. The subtitle gives instructions for understanding the author's starting points: SELECTIVE RELATIONSHIP OF EVENT SUCCESSIVE OF COMMUNICATION AND ACCUMULATION - DISTRIBUTION REVERT COMMUNICATION OF APPETITE AND FOOD. The film shows different actors sitting at a table in the garden eating different food. The camera is static; the actors enter the frame and take turns. The film shows different actors sitting at a table in the garden eat...
Production: Ana Nuša Dragan, 1971
Communication of Gastronomy is one of the author’s early 8mm films. The subtitle gives instructions for understanding the author's starting points: SELECTIVE RELATIONSHIP OF EVENT SUCCESSIVE OF COMMUNICATION AND ACCUMULATION - DISTRIBUTION REVERT COMMUNICATION OF APPETITE AND FOOD. The film shows different actors sitting at a table in the garden eating different food. The camera is static; the actors enter the frame and take turns. The film shows different actors sitting at a table in the garden eat...
Miha Vipotnik - Shorts for TV (10:00)
Subtitle: TV announcements, shows inserts and commercials
Production: 1974/2002
TV announcements and inserts from TV shows from the 1980s show the creative work of Miha Vipotnik for public television (RTV Ljubljana). TV commercials made by Miha Vipotnik for various Slovenian producers and their brands between 1996 and 2002 show a skill in balancing the client's requirements and desires and Vipotnik's tendency to experiment in framing, editing and inserting unusual procedures also into this commercial genre. Often, the commercials have a cinematic effect, which may also override the pri...
Subtitle: TV announcements, shows inserts and commercials
Production: 1974/2002
TV announcements and inserts from TV shows from the 1980s show the creative work of Miha Vipotnik for public television (RTV Ljubljana). TV commercials made by Miha Vipotnik for various Slovenian producers and their brands between 1996 and 2002 show a skill in balancing the client's requirements and desires and Vipotnik's tendency to experiment in framing, editing and inserting unusual procedures also into this commercial genre. Often, the commercials have a cinematic effect, which may also override the pri...
Miha Vipotnik - Videogram 4 - 4 tapes (29:02)
Production: RTV Ljubljana, 1976
Videogram 4 is an umbrella name of a project developed by Miha Vipotnik in a period of three years (1976-1979) in the studios of Ljubljana radio and TV station together with the painter and singer Andrej Trobentar, actress Maja Boh and radio presenter Dušan Rogelj. The happening was constructed with a score for synthesizer by Al Stone and activity diagram by Miha Vipotnik. It was shot by four cameras with a fifth one recording goings-on in the direction room. The author established a structured and e...
Production: RTV Ljubljana, 1976
Videogram 4 is an umbrella name of a project developed by Miha Vipotnik in a period of three years (1976-1979) in the studios of Ljubljana radio and TV station together with the painter and singer Andrej Trobentar, actress Maja Boh and radio presenter Dušan Rogelj. The happening was constructed with a score for synthesizer by Al Stone and activity diagram by Miha Vipotnik. It was shot by four cameras with a fifth one recording goings-on in the direction room. The author established a structured and e...
Miha Vipotnik - Video grafike (17:20)
Production: RTV Slovenija, 1976/77
The video is the first attempt at computer animation by means of the interaction of the camera and the monitor. The graphic sign is constantly moving, the effects are changing with the interventions of the hand in front of the monitor. (source: Videodokument) The work approaches painting in geistzeit and offers it experimental dimension unreachable to classical painting. Unpredictability of the experiment changes political stance of the artist, for he does not control the whole process of work, but only set...
Production: RTV Slovenija, 1976/77
The video is the first attempt at computer animation by means of the interaction of the camera and the monitor. The graphic sign is constantly moving, the effects are changing with the interventions of the hand in front of the monitor. (source: Videodokument) The work approaches painting in geistzeit and offers it experimental dimension unreachable to classical painting. Unpredictability of the experiment changes political stance of the artist, for he does not control the whole process of work, but only set...
Miha Vipotnik - Videogram 4 (28:22)
Production: RTV Ljubljana, 1976/79
Video is a final result of performative events conducted at TV studio, which were recorded by the author with five cameras. The study of the limits of video, using painting and performative elements, achieves an effect of an innovative and unique visual and sonic experience by exploring image and sound. (DIVA)
Production: RTV Ljubljana, 1976/79
Video is a final result of performative events conducted at TV studio, which were recorded by the author with five cameras. The study of the limits of video, using painting and performative elements, achieves an effect of an innovative and unique visual and sonic experience by exploring image and sound. (DIVA)