Darij Kreuh - Mine Mind Do you Mind (00:03:18)
Subtitle: Imena skulptur: Treadmill, Push it, Cabine
Production: 1993
Posnetek serije skulptur, ki delujejo kot nihala. Gre za interaktivno delo predmeta s predmeti in za dokumentarne posnetke iz razstave, v katere montaža minimalno poseže. Kamera posega v različne kote eksponatov, zato da jih lažje - razločneje vidimo.
DIVA Installation Art
109 results in works
Damijan Kracina - Kurca / Little Hen (00:02:55)
Production: 1996
The work was made in the studio of the sculpture department at the Academy of Fine Arts. A hen appears in the studio and waddles across the room. The prevailing colours of the image are various shades of blue. The hen is caught in a sculpture installation with a television set screening scenes from current Slovenian politics, with swastikas and church services. At the end, the picture completely disintegrates, with only the footage of the hen remaining, liberated from the media field/television. Animal righ...
Production: 1996
The work was made in the studio of the sculpture department at the Academy of Fine Arts. A hen appears in the studio and waddles across the room. The prevailing colours of the image are various shades of blue. The hen is caught in a sculpture installation with a television set screening scenes from current Slovenian politics, with swastikas and church services. At the end, the picture completely disintegrates, with only the footage of the hen remaining, liberated from the media field/television. Animal righ...
Zmago Lenardič - Fireworks (00:10:10)
Production: Zmago Lenardič, 2006
Video documentation of an installation presented in the exhibition Liquid Space II in 2006, shot with a static camera positioned in front of the work. A series of blinking red-light spots that switch on and off one after the other creates a rhythmic correspondence between the light and the music. The light seems challenging the perceptive faculties of the viewer by drawing a visual interpretation of Bach's Kleine Preludien and at the same time evoking the mechanism of a piano key. The spot reflections and t...
Production: Zmago Lenardič, 2006
Video documentation of an installation presented in the exhibition Liquid Space II in 2006, shot with a static camera positioned in front of the work. A series of blinking red-light spots that switch on and off one after the other creates a rhythmic correspondence between the light and the music. The light seems challenging the perceptive faculties of the viewer by drawing a visual interpretation of Bach's Kleine Preludien and at the same time evoking the mechanism of a piano key. The spot reflections and t...
Zmago Lenardič - Network (00:12:47)
Production: Zmago Lenardič, 2006
Video documentation of an installation presented at the exhibition Liquid Space II in 2006, where the three-dimensional shape of a human body realized with a thin wire interweave is moving and projecting its shadow on a white surface. The video shows the overlapping of these shapes, creating a new layer where the body seems contested between real dimension and shadow. The movements of the camera around the installation make the newly established relationship between the two entities become more and more con...
Production: Zmago Lenardič, 2006
Video documentation of an installation presented at the exhibition Liquid Space II in 2006, where the three-dimensional shape of a human body realized with a thin wire interweave is moving and projecting its shadow on a white surface. The video shows the overlapping of these shapes, creating a new layer where the body seems contested between real dimension and shadow. The movements of the camera around the installation make the newly established relationship between the two entities become more and more con...
Damijan Kracina - Kracina TV (00:06:24)
Production: 1995
A hyper-realistic latex sculpture of the artist stands in the middle of a room in Kapelica Gallery, where the artist first presented the installation. The sculpture’s low pedestal is connected to seven monitors into which the figure gazes, while light boxes show photographs of cats run over by cars. The installation shows death doubled, or the absence of life. The cats are dead, and the statue, too, is lifeless. The images of dead cats not only draw attention to the cruel human attitude to animals and...
Production: 1995
A hyper-realistic latex sculpture of the artist stands in the middle of a room in Kapelica Gallery, where the artist first presented the installation. The sculpture’s low pedestal is connected to seven monitors into which the figure gazes, while light boxes show photographs of cats run over by cars. The installation shows death doubled, or the absence of life. The cats are dead, and the statue, too, is lifeless. The images of dead cats not only draw attention to the cruel human attitude to animals and...
Damijan Kracina - Thylacinus Cynocephalus (00:01:09)
Production: 2000
The video reconstructs the movements of the Tasmanian tiger (Thylacinus cynocephalus), which became extinct in 1936. A year before the video was created, the Australian Museum in Sydney began developing methods for preserving the genetic material of the animal in order to clone it in the 21st century, when appropriate technological procedures become available. Kracina watched the final footage of the Tasmanian tiger on TV and filmed it. He coloured the black-and-white shots and simulated the animal’s...
Production: 2000
The video reconstructs the movements of the Tasmanian tiger (Thylacinus cynocephalus), which became extinct in 1936. A year before the video was created, the Australian Museum in Sydney began developing methods for preserving the genetic material of the animal in order to clone it in the 21st century, when appropriate technological procedures become available. Kracina watched the final footage of the Tasmanian tiger on TV and filmed it. He coloured the black-and-white shots and simulated the animal’s...
Apolonija Šušteršič - Do It Yourself (0:05:36)
Production: Rijksakademie van beeldende kunsten Amsterdam, 1997
This video clip demonstration presents the use of a new commercial product, a recycled wax brick. Various professionals (referred to as architects at the end of the clip) demonstrate its usage through the process of building a wall. The video clip forms part of an installation of the same title. (VD)
Production: Rijksakademie van beeldende kunsten Amsterdam, 1997
This video clip demonstration presents the use of a new commercial product, a recycled wax brick. Various professionals (referred to as architects at the end of the clip) demonstrate its usage through the process of building a wall. The video clip forms part of an installation of the same title. (VD)
Rok Sieberer Kuri - Tišina prosim, gledamo (00:09:58)
Production: 2001
Pripravljanje razstave Roka Siebererja Kurija v galeriji Kapelica (2001), kjer na dokumentaren način beleži delovani proces. Postavljanje instalacij, umeščanje video del v prostor, pogovor o učinskih predstavljenega.
Production: 2001
Pripravljanje razstave Roka Siebererja Kurija v galeriji Kapelica (2001), kjer na dokumentaren način beleži delovani proces. Postavljanje instalacij, umeščanje video del v prostor, pogovor o učinskih predstavljenega.
Nataša Prosenc Stearns - Swimming the Dark (00:03:52)
Production: Kanalya Pictures, 2005
Underwater recordings filmed by a swimmer accompanied with sounds of water streams and machines.
Production: Kanalya Pictures, 2005
Underwater recordings filmed by a swimmer accompanied with sounds of water streams and machines.
Nataša Prosenc Stearns - Crossing (0:04:59)
Production: Kanalya Pictures, 2005
Video Crossing contains different layers of recordings. A close-up of a face is covered with a layer of tracks of fire and water. The combination gives impressions of the layers shading and blending. The viewer faces a sequence of video projections moving from realistic to abstract. Installation is a display of transformation attracting the viewer to change, metamorphosis and decomposing of images.
Production: Kanalya Pictures, 2005
Video Crossing contains different layers of recordings. A close-up of a face is covered with a layer of tracks of fire and water. The combination gives impressions of the layers shading and blending. The viewer faces a sequence of video projections moving from realistic to abstract. Installation is a display of transformation attracting the viewer to change, metamorphosis and decomposing of images.
