Miha Vipotnik - Space 2 (01:53)
Production: Max-Max (Brut), 1986
In his video work the author gives an ironic statement about the state of home video production of that time and its integration in television programme (recorded for Petak u 22. TV Belgrade show in 1984). In the beginning the artist is sitting in a studio in a manner of TV broadcast presenters. His statement continues in an off over a montage of segments of one of his older video works Space shot in black and white. The montage is edited with added chroma key. Video was shown as part of Avtovizija (1986),...
DIVA Experimental video
330 results in works
Vuk Ćosić - Deep ASCII (01:00:05)
Production: 1998
The ASCII conversion of the famous porno film Deep Throat.The author reduces volume of the image to a combination of black and green with various symbols. He is interested about durability of data, but also posses a more complex question about the transfer of information. Video Deep ASCII plays with the limit where information disappears.
Production: 1998
The ASCII conversion of the famous porno film Deep Throat.The author reduces volume of the image to a combination of black and green with various symbols. He is interested about durability of data, but also posses a more complex question about the transfer of information. Video Deep ASCII plays with the limit where information disappears.
Jasna Hribernik, Zmago Lenardič - Elsa und Lohengrin (0:03:15)
Production: VPK, 1997
A variation on Wagner and his opera Lohengrin. There is no Wagnerian hero, but a ballerina dancing to the opera, which later transforms into a modern song, and the ballerina also turns into a modern dancer. Both dancers, however, resemble a woman covered with roses and lying under transparent plastic - Snow White, or Laura Palmer? (source: Videodokument)
Production: VPK, 1997
A variation on Wagner and his opera Lohengrin. There is no Wagnerian hero, but a ballerina dancing to the opera, which later transforms into a modern song, and the ballerina also turns into a modern dancer. Both dancers, however, resemble a woman covered with roses and lying under transparent plastic - Snow White, or Laura Palmer? (source: Videodokument)
Jasna Hribernik - Carte Postale (06:32)
Production: TV Slovenija, 1997
By layering of pictures the artist succeded in simultaneously presenting the past and the present. Destruction of a house represents the present, and fragments from letters written by people who used to live in the house represent the past. An off-screen voice reads the letters, but the sounds soon become unintelligible - for who gives us the right to rummage through the intimacies of these anonymous people? Anonymous they shall remain. For a moment we even see their faces in photographs, but these photogra...
Production: TV Slovenija, 1997
By layering of pictures the artist succeded in simultaneously presenting the past and the present. Destruction of a house represents the present, and fragments from letters written by people who used to live in the house represent the past. An off-screen voice reads the letters, but the sounds soon become unintelligible - for who gives us the right to rummage through the intimacies of these anonymous people? Anonymous they shall remain. For a moment we even see their faces in photographs, but these photogra...
Marko A. Kovačič - Naprej v preteklost / Forth Into the Past (0:09:30)
Production: Forum Ljubljana, VPK, 1995
The video deals with our understanding of the distant future, presented through a concrete example of the 23rd-century archaeology. A narration of a professor archaeologist leads us through the story as he guides his student through one of the main archaeological sites in the City of Catastropolis, where so-called Plastoses, who (will) survived the atomic catastrophe in 2223 live. These half-organic half-mechanical creatures form a comprehensive civilisation of Plastos, which is the author's subject in a se...
Production: Forum Ljubljana, VPK, 1995
The video deals with our understanding of the distant future, presented through a concrete example of the 23rd-century archaeology. A narration of a professor archaeologist leads us through the story as he guides his student through one of the main archaeological sites in the City of Catastropolis, where so-called Plastoses, who (will) survived the atomic catastrophe in 2223 live. These half-organic half-mechanical creatures form a comprehensive civilisation of Plastos, which is the author's subject in a se...
Damijan Kracina - Zoospective (00:11:53)
Subtitle: (Zoological Retrospective)
Production: 2000
The video summarises the basic motifs of the artist’s work: endangered species and fantasy animals of the future. It comprises an omnibus of five individual video pieces and additional raw video footage. First, we see ‘proteus’, a computer-generated olm in motion; which is followed by ‘An Interview with an Endangered Species’, featuring frontal shots of the Soča Trout opening its mouth as if it were speaking; these are combined with an Aquarium video showing the flight of the Soč...
Subtitle: (Zoological Retrospective)
Production: 2000
The video summarises the basic motifs of the artist’s work: endangered species and fantasy animals of the future. It comprises an omnibus of five individual video pieces and additional raw video footage. First, we see ‘proteus’, a computer-generated olm in motion; which is followed by ‘An Interview with an Endangered Species’, featuring frontal shots of the Soča Trout opening its mouth as if it were speaking; these are combined with an Aquarium video showing the flight of the Soč...
Jurij Korenc - Svetloba sence (0:27:20)
Subtitle: predstava Svetloba giba, svetloba sence
Production: Cankarjev dom, Viba film, Studio 37, 1987
The video shows the process of making a sculpture; static shots accompanied by dramatic ambient music show frozen and moving images of sculpting material – clay. The sculptress’s hands begin to knead the material and shape it into a figurine. Hand movements are slow and quite elegant; the scenes change into an abstract, clouded image of dancing figurines which are becoming increasingly clearer. The end result of the process is a standing female nude.
Subtitle: predstava Svetloba giba, svetloba sence
Production: Cankarjev dom, Viba film, Studio 37, 1987
The video shows the process of making a sculpture; static shots accompanied by dramatic ambient music show frozen and moving images of sculpting material – clay. The sculptress’s hands begin to knead the material and shape it into a figurine. Hand movements are slow and quite elegant; the scenes change into an abstract, clouded image of dancing figurines which are becoming increasingly clearer. The end result of the process is a standing female nude.
Neven Korda, Zemira Alajbegović - The Sand Collectors (00:12:34)
Production: V.S. Video / Forum Ljubljana & TV Slovenija, 1995
Video work tells a story of an art collector as remembered by herself in her old age, and as narrated by her friend, a psychoanalyst. Thru this narrative the authors deal with the spirit of avant-garde art in the first half of the 20th century. By layering black and white and colour images and sounds the work creates a deep and lively emotional space. (Source: Videodokument)
Production: V.S. Video / Forum Ljubljana & TV Slovenija, 1995
Video work tells a story of an art collector as remembered by herself in her old age, and as narrated by her friend, a psychoanalyst. Thru this narrative the authors deal with the spirit of avant-garde art in the first half of the 20th century. By layering black and white and colour images and sounds the work creates a deep and lively emotional space. (Source: Videodokument)
Andrej Lupinc - V 8. minutah okoli sveta / In 8 Minutes around the World (00:09:38)
Production: TV Slovenija, filmski laboratorij, 1990-2000
The documentary video patchwork with shots from various places in the world that the author visited while working as a cameraman at Slovenian national TV station in the span of ten years. Diversity of aesthetics is visible through a compilation of shots from different continents. A stable rhythm that runs through the whole video unifies all different scenes and brakes the seeming symbolic differences. The video would work as an ideal visualisation of Levi-Strauss's anthropological theory developed in h...
Production: TV Slovenija, filmski laboratorij, 1990-2000
The documentary video patchwork with shots from various places in the world that the author visited while working as a cameraman at Slovenian national TV station in the span of ten years. Diversity of aesthetics is visible through a compilation of shots from different continents. A stable rhythm that runs through the whole video unifies all different scenes and brakes the seeming symbolic differences. The video would work as an ideal visualisation of Levi-Strauss's anthropological theory developed in h...
Damijan Kracina - Točka nič / Point Zero (00:02:07)
Production: 1996
The video consists of three parallel strips showing the same footage in different time frames. It seems that we are following a video of the countryside shot from a moving car. The upper and lower strips follow the same timeline, while the strip in the centre is of the same footage, but on rewind. In the central strip, the video slows down. Both timelines meet, which is indicated by a red line, which merges and draw the point zero.
Production: 1996
The video consists of three parallel strips showing the same footage in different time frames. It seems that we are following a video of the countryside shot from a moving car. The upper and lower strips follow the same timeline, while the strip in the centre is of the same footage, but on rewind. In the central strip, the video slows down. Both timelines meet, which is indicated by a red line, which merges and draw the point zero.
