Duba Sambolec - Questioning, Answering (58:25)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999
In the video we witness an interrogation of a woman with a blind over her eyes. Strict and somewhat violet interrogation is executed by the second female character. Eventually it becomes clear, that shots of both people were merged in postproduction. The viewer is therefore manipulated as is the video, and at the same time he/she takes on the role of an accomplice, as he/she accepts the game of the interrogator.
NoHomeVideos© are 14 video performances, first presented at the International Festival of Co...
DIVA Performance
64 results in works
Jasna Hribernik - Petra Varl Simončič - Nos ob nos - Metelkova 1994 (0:06:34)
Production: 1994
Video documents an event accompanying setting up of a composed photocopied painting Nos ob nos by Petra Varl Simončič measuring 30 meters depicting a man and a woman with a poem by Andrej Rozman. We are guided around the set by a commentator. The video is accompanied by a music by a group Lolita, who performed live at the event.
Production: 1994
Video documents an event accompanying setting up of a composed photocopied painting Nos ob nos by Petra Varl Simončič measuring 30 meters depicting a man and a woman with a poem by Andrej Rozman. We are guided around the set by a commentator. The video is accompanied by a music by a group Lolita, who performed live at the event.
Borut Savski, Luka Prinčič - Problemloss Orchestra. Before the performance in Berlin (00:04:52)
Production: 2006
Problemloss Orchestra was a project group ( PMS: Luka Prinčič, Matjaž Manček and Borut Savski), which performed in 2005 and 2006. The recording took place in Berlin and was recorded by Neven Korda.
Production: 2006
Problemloss Orchestra was a project group ( PMS: Luka Prinčič, Matjaž Manček and Borut Savski), which performed in 2005 and 2006. The recording took place in Berlin and was recorded by Neven Korda.
son:DA, Erinc Seymen - Performance for a Poem 2 (00:08:48)
Subtitle: Maribor
Production: 2006
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the video image...
Subtitle: Maribor
Production: 2006
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the video image...
Neven Korda, Zemira Alajbegović - Icht (00:24:25)
Production: RTV Slovenija, 1993
The dance performance by a man and a woman presents a story of timeless attraction and rejection. Despite of our desire for closeness, the curse of the greatest love for ourselves is omnipresent; sometimes the dancers come together, and then again they challenge and fight with each other yet they never get together. The theme of the stage choreography is partly transferred onto the street. (Source: Videodokument)
Production: RTV Slovenija, 1993
The dance performance by a man and a woman presents a story of timeless attraction and rejection. Despite of our desire for closeness, the curse of the greatest love for ourselves is omnipresent; sometimes the dancers come together, and then again they challenge and fight with each other yet they never get together. The theme of the stage choreography is partly transferred onto the street. (Source: Videodokument)
Marko A. Kovačič - Casus belli (video performance) (00:04:54)
Subtitle: Montage of video performance & performanse of the same title
Production: 1983
Recording of a video performance at the 1st International Video Biennale Video CD in Ljubljana, in which the video was included as a constitutive part of the event: the artist's gestures were shown from behind on monitors arranged at the edges of the venue with the help of eight video cameras. The frontal "representational" silhouette image shown on the canvas was thus counterpointed by revealing the artist's flesh-and-blood body behind the canvas, who ultimately stepped in front of the audience and perform...
Subtitle: Montage of video performance & performanse of the same title
Production: 1983
Recording of a video performance at the 1st International Video Biennale Video CD in Ljubljana, in which the video was included as a constitutive part of the event: the artist's gestures were shown from behind on monitors arranged at the edges of the venue with the help of eight video cameras. The frontal "representational" silhouette image shown on the canvas was thus counterpointed by revealing the artist's flesh-and-blood body behind the canvas, who ultimately stepped in front of the audience and perform...
Nika Špan - Polucija v umetnosti / Pollution in Art (00:17:46)
Production: SCCA-Ljubljana, 2008
Video documents a lecture conducted as part of a continuous project No Nails, No Pedestals. The author designed the lecture in which she thematises pollution in art as an interactive audio-visual happening.
Production: SCCA-Ljubljana, 2008
Video documents a lecture conducted as part of a continuous project No Nails, No Pedestals. The author designed the lecture in which she thematises pollution in art as an interactive audio-visual happening.
Borut Savski - Multimedia. Mali (00:03:53)
Production: Borut Savski, 2008
Omnibus of documentary video and photographic recordings of installations and performances between 1999 and 2008.
Production: Borut Savski, 2008
Omnibus of documentary video and photographic recordings of installations and performances between 1999 and 2008.
Borut Savski - A Dancer (00:17:23)
Production: Galerija Kapelica, 2005
A recording of the performance that took place in the Kapelica Gallery. Borut Savski has created a machine that operates independently and in this way creates his own artistic practice. The author's question concerns mainly the principles of subjectivation. The dancer proposes a completely new subjectivation of artistic activity through motion and sound, and no longer through word and language.
Production: Galerija Kapelica, 2005
A recording of the performance that took place in the Kapelica Gallery. Borut Savski has created a machine that operates independently and in this way creates his own artistic practice. The author's question concerns mainly the principles of subjectivation. The dancer proposes a completely new subjectivation of artistic activity through motion and sound, and no longer through word and language.
Borut Savski - Aestetic Machines (00:09:39)
Production: Galerija Kapelica, 2003
Performance performance in the Kapelica Gallery in 2003, where the title was the foundation of reflection, and the event itself was a playful communication of four performers. Like any game, communication was also simplified to the basic rules, which were in this case contained in the simple structure of the "instrument." Two piano wires can sound when they are trembling - so four people are needed, including two pairs and close in contact, as they strain each one wire. In order to rub the wire, both pair...
Production: Galerija Kapelica, 2003
Performance performance in the Kapelica Gallery in 2003, where the title was the foundation of reflection, and the event itself was a playful communication of four performers. Like any game, communication was also simplified to the basic rules, which were in this case contained in the simple structure of the "instrument." Two piano wires can sound when they are trembling - so four people are needed, including two pairs and close in contact, as they strain each one wire. In order to rub the wire, both pair...
