Vuk Ćosić - Deep ASCII (01:00:05)
Production: 1998
The ASCII conversion of the famous porno film Deep Throat.The author reduces volume of the image to a combination of black and green with various symbols. He is interested about durability of data, but also posses a more complex question about the transfer of information. Video Deep ASCII plays with the limit where information disappears.
DIVA Computer Graphics
48 results in works
Marko Peljhan - LADOMIR-ФАКТУРА: FIRST SURFACE-MICROLAB V1.0 (23:02)
Production: Projekt Atol, A Team of Three Production, Aster, 1994
Računalniška video animacija v živo je bila zamišljena kot gledališka igra brez igralcev v kibernetičnem prostoru. S podobno idejo je Vasilij Kandinski leta 1928 na podlagi skladbe Modesta Mussorgskega Slike z rastave (Bilder einer Ausstellung) zasnoval programsko gledališko predstavo, ki je bila docela sestavljena iz mehaniziranih slik in objektov brez igralcev. Video animacija je bila pripravljena, modelirana in rendrirana s pomočjo programa, ki so ga posebej napisali z oro...
Production: Projekt Atol, A Team of Three Production, Aster, 1994
Računalniška video animacija v živo je bila zamišljena kot gledališka igra brez igralcev v kibernetičnem prostoru. S podobno idejo je Vasilij Kandinski leta 1928 na podlagi skladbe Modesta Mussorgskega Slike z rastave (Bilder einer Ausstellung) zasnoval programsko gledališko predstavo, ki je bila docela sestavljena iz mehaniziranih slik in objektov brez igralcev. Video animacija je bila pripravljena, modelirana in rendrirana s pomočjo programa, ki so ga posebej napisali z oro...
Rok Sieberer Kuri - Technotime (00:30:11)
Production: Media Teror, 1999
Video is playing with abstract forms of coloured masses dancing on the screen and changing shapes. The artist uses found footages from television news reports that he digitally manipulated, he typically uses fast changes of scenes and fast rhythm of video editing.
Production: Media Teror, 1999
Video is playing with abstract forms of coloured masses dancing on the screen and changing shapes. The artist uses found footages from television news reports that he digitally manipulated, he typically uses fast changes of scenes and fast rhythm of video editing.
OFFTIR - P1p3P3p1 (00:03:14)
Subtitle: Grafična notacija
Production: 2013
Grafična notacija P1p3P3p1 je bila razstavljena v okviru projekta projekta Liminale, ki je potekal od 20. 6. do 22. 7. 2013 v okviru programa Studio 6 (produkcija SCCA-Ljubljana). Video je grafična upodobitev računalniško zmiksanega zvoka bobnov, činele in predmetov s kontaktnimi mikrofoni.
Subtitle: Grafična notacija
Production: 2013
Grafična notacija P1p3P3p1 je bila razstavljena v okviru projekta projekta Liminale, ki je potekal od 20. 6. do 22. 7. 2013 v okviru programa Studio 6 (produkcija SCCA-Ljubljana). Video je grafična upodobitev računalniško zmiksanega zvoka bobnov, činele in predmetov s kontaktnimi mikrofoni.
Goran Devide - Sovražnik (0:04:28)
Production: Škuc-Forum, FV video, 1984
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video...
Production: Škuc-Forum, FV video, 1984
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video...
Borut Savski - Sonic Point of View (00:08:46)
Production: 2002
Sonic Point of View is an event in-between a concert and performance where, through the interaction of sound and visual, the metaphors of universal opposites of the sky and the earth are created. For this occasion, the author made a mixing board that, due to its random functioning, prevents the virtuosic action, and thus it makes possible for anyone be a virtuoso. (DIVA)
Production: 2002
Sonic Point of View is an event in-between a concert and performance where, through the interaction of sound and visual, the metaphors of universal opposites of the sky and the earth are created. For this occasion, the author made a mixing board that, due to its random functioning, prevents the virtuosic action, and thus it makes possible for anyone be a virtuoso. (DIVA)
Borut Savski - Videographics 18 (00:07:16)
Production: KUD Trivia / Trivia Art [Association], 2006
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context.
Production: KUD Trivia / Trivia Art [Association], 2006
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context.
Borut Savski - Videographics 19 (00:04:23)
Production: KUD Trivia / Trivia Art [Association], 2007
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context. In Videographic 19, pairs of words are associated with video variations of "The Shroud of Turin". (DIVA)
Production: KUD Trivia / Trivia Art [Association], 2007
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context. In Videographic 19, pairs of words are associated with video variations of "The Shroud of Turin". (DIVA)
Borut Savski - Videographics 22 (00:03:44)
Production: KUD Trivia / Trivia Art [Association], 2007
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context.
Production: KUD Trivia / Trivia Art [Association], 2007
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context.
Ema Kugler - For the End of Time (02:05:28)
Production: Zank & VPK, 2009
The video film is an investigation on man and his smallness in front of nature and time, the story is told by a voice-over narrator, with no dialogues between the characters. The camera slowly moves horizontally in panoramic views showing bright wide desert landscapes crossed by traces of death, alternated with futuristic interiors. Computer generated imagery plays an important role in this last work as in the previous ones by Ema Kugler and contributes to the creation of recurrent enviroments which are a p...
Production: Zank & VPK, 2009
The video film is an investigation on man and his smallness in front of nature and time, the story is told by a voice-over narrator, with no dialogues between the characters. The camera slowly moves horizontally in panoramic views showing bright wide desert landscapes crossed by traces of death, alternated with futuristic interiors. Computer generated imagery plays an important role in this last work as in the previous ones by Ema Kugler and contributes to the creation of recurrent enviroments which are a p...
