The video Bodyfraction parallels microscopic images of fragments of the artist’s body (tooth enamel, skin, nails, hair etc.) with recordings of drawings and light-sensitive objects created on their basis. Drawings were digitally processed towards simulating the chemical process called 'reaction diffusion' which models (mathematically or visually) the behaviour of two chemicals in a solution as they mix. Such animated drawings form fractal-like patterns and together with modified recordings of reflective light-works surfaces, they create an entry into imaginary hidden topography (macro, micro or nano dimensions) in motion.
The title refers to the motif (body) and the processing method (microscopic diffraction) through which the microscopic pictures were treated. Relief surfaces of pictures and drawings were derived from digitally modified microscopic views of bodily fragments that were essentially transfigured through the digital process of inverse fast Fourier transformation (IFFT); this represented the first in a series of digital procedures directed towards their denaturalisation.
In collaboration with prof. Sašo Šturm, Ph.D. and Matejka Podlogar, Ph.D., Jožef Stefan Institute, Ljubljana – Department for Nanostructured Materials)
(Source: Uršula Berlot)
Production: Uršula Berlot, 2023
The video combines abstract video recordings of light-kinetic sculptures in motion together 3D simulations of them. This interplay of digitally simulated and analogue visual effects creates a topology of hybrid virtuality, which, particularly in the form...
Production: DiN Records, 2022
The video is dedicated to a friend, renowned Slovenian composer, academic and pianist JM, who passionately celebrated the miracle of music and life. RIP JM (1926–2022). (Source: author) Music video for Acentria by Scanner (Robin Rimbaud), prod...
Production: DiN Records, 2022
The video takes the viewer on an imaginary fantasy journey. Fragments of figures dissolve and mesh with abstract patterns in motion, simulating the body’s inner dynamics, from the corporeal – like the structure of blood vessels – to subt...
Production: Uršula Berlot, 2021
The video Hyperoptics examines the technologically extended forms of visual perception that are enabled through the application of advanced optical research tools used in microscopy. (Source: the author)
Production: DiN Records, 2020
By mixing colourful abstract light patterns and fragments of figurative reality the video aims to visualize a kind of inner psychological landscape, where words, thoughts, memories, emotions and desires combine and coexist in a highly fluid, intuitive way. (S...
Production: Uršula Berlot, 2019
The video creates an entry into fictional reality, where objects are transformed into fleeting luminary apparitions – softened, multiplied, liquified forms levitating through warped or non-gravitational space. (Source: Uršula Berlot)
Production: Uršula Berlot, 2019
Material objects (sculptures) are projected into virtual, fluid spatiality, appearing as dematerialised floating, kinetic light forms, freed of the constraints of time, mass, and gravity. (Source: Uršula Berlot)
Production: Uršula Berlot, 2019
The video for the track Orcinus Orca followed the release of the album Algida Bellezza (Alessandro Tedeschi aka Netherworld, Glacial Movements, 2019). The music captured the artist’s imaginations of coldness and isolation as well as visions of shin...
Production: 2017
The video works on two levels of microscopic observation: the first line of recordings shows the transformation of a non-living (inorganic) substance from one physical state to another – namely, the process of crystallization, which involves the tra...
Production: Uršula Berlot, 2017
Video created for the track Cast to the Bottom from the album The Great Crater by Scanner (Glacial Movements, 2017). Composed of landscape 3d digital simulation and digitally processed video recordings, the video shows a virtual journey through an imagina...