In the creation of our work, we drew the greatest influence from Karel Zelenko's policy or his approach to the creative process. In his view that the main element of his graphics is drawing itself and not experimenting with the medium, we recognized a parallel with our approach to video, where we do not try to look for the capabilities of the medium, but use the medium for visualization.
In analyzing Zelenko's oeuvre, we were influenced by his figurativeness, placing human at the center of events, fascination with magic, affinity for the female body, the primary relationship between man and woman (Adam and Eve)… We are inspired by the sanctity of duality that causes disconnection from the world, the timelessness and insignificance of the surroundings.
In the video triptych, we show the ‘magical’ process of manifestation of the relationship. From idea and draft to love relationship. As instructions for the visualization of the path and narration, we relied on the Kabbalistic tree of life, with which the atmosphere of mysticism in two and other elements that attracted us most to Zelenko are intertwined atmospherically. (Source: Lealudvik)
The work was exhibited at the group exhibition of the Biennial of Independent VS Zelenko in MGLC in 2016 in Ljubljana. The Biennial of Independent VS Zelenko was an accompanying exhibition with selected artists of the Biennial of Independent and is an independent visual-content intervention to the retrospective of Karel Zelenko. The authors, who drew inspiration from Zelenko's oeuvre, presented their story in their own and modern way, using mixed techniques such as animation, digital graphics and video. The artists explored the possibilities of illustration in the contexts of the contemporary and the classical.
Production: Lealudvik, 2019
The video is a single-channel version of a three-channel spatial installation at the Lealudvik: As it is, so be it exhibition at the Škuc Gallery in 2020. It consists of three scenes of a video performance in which the artists eats a cast of his/he...
Production: Lealudvik, 2018
The video is an endless loop presenting a top-down view of an empty white surface, on which the naked protagonist crawls with obvious difficulty. Just before she disappears at the other end of the frame, a new instance appears, crawling to the other side...
Production: Lealudvik, 2017
The two-channel video in the single-channel version shows two parallel images. The video on the left shows the protagonist walking from the city through the park into the woods. At the first trees she undresses and goes naked even deeper into the forest. Th...
Production: Lealudvik, 2017
The work is related to the project I would go poof! Here instead of a forest, the sea is the background. The video is a 20 second loop that repeats several times. It consists of three short sequences, each also in an endless loop. All sequences are f...
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects th...
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects th...
Production: Lealudvik, 2015
The video is part of the multimedia project Safe Haven, which Lealudvik exhibited as part of the Biennial of Independents and the Sonica Festival (MoTA point) at a solo exhibition in Bunker (Argentine Park, Ljubljana) in 2015. The project reflects their s...
Production: Lealudvik, 2014
The video consists of a series of collaged occult situations iside a golden frame, inspired by Aleister Crowley’s Toth Tarot cards. Each scene represents a selected card. The work was presented at the one-day BYOB LJ event in 2014 in the MoTA Point...