Video installation Introspection composed of three video installations/projections and sound.
The installations Kaleidoscopic Gaze and Spiral Floating are based on digitally- processed radiological images of my brain activity while contemplating Duchamp’s Anemic Cinema, which was conceived as an optic dispositive inducing a four-dimensional spatial-temporal perceptive experience in the viewer (by alternating the concave and convex effects of spiral swirling). The kaleidoscopic pattern of the video aims to similarly expand the viewer’s perception and consciousness; the repetitive, hypnotic pattern of light projected onto the image reflected by a mirror produces a layering of fractally-fragmented reflections, that is, a virtual multi-dimensional space in motion. (Source: Uršula Berlot)
Kaleidoscopic Gaze: video projection onto an image on a mirror (video loop 6′), variable dimensions
two mirrors (90 x 180 cm; 90 x 110 cm), foil covering
projection and reflected light, sound: Scanner – Robin Rimbaud
Spiral Floating: video projection onto a semitransparent screen (video loop 6′), variable dimensions,
two Plexiglass screens (110 x 130 cm), foil covering, projection and reflected light
sound: Scanner – Robin Rimbaud
The video installation Butterfly uses radiological images of the author’s brain responding to different colors. The image of a butterfly changing colors is formed by a light reflection of a video that is being projected onto a horizontal image on a mirror. It alludes to the concept of the “butterfly effect”, which in chaos theory posits that slight, even infinitesimally small variations in the initial conditions of a dynamic system may produce extreme and unpredictable results in other space and time coordinates: that a butterfly flapping its wings could set off a hurricane on the other side of the planet. The shape on the mirror is a graphically processed image of my brain; the butterfly reflection is a metaphor for the power of our “invisible” thoughts, our emotions, our so-called mental worlds, conscious or unconscious, that keep changing the physical reality surrounding us. Butterfly deals with the interconnectedness of the visible and the invisible and questions the causal relations between the perceptible and the intelligible.
video projection onto an image on a mirror (video loop, 3′)
mirror (110 x 110 cm), foil covering, projection and reflected light
variable dimensions
sound composition: Scanner – Robin Rimbaud
(Source: Uršula Berlot)
Production: Uršula Berlot, 2023
The video combines abstract video recordings of light-kinetic sculptures in motion together 3D simulations of them. This interplay of digitally simulated and analogue visual effects creates a topology of hybrid virtuality, which, particularly in the form...
Production: DiN Records, 2022
The video is dedicated to a friend, renowned Slovenian composer, academic and pianist JM, who passionately celebrated the miracle of music and life. RIP JM (1926–2022). (Source: author) Music video for Acentria by Scanner (Robin Rimbaud), prod...
Production: DiN Records, 2022
The video takes the viewer on an imaginary fantasy journey. Fragments of figures dissolve and mesh with abstract patterns in motion, simulating the body’s inner dynamics, from the corporeal – like the structure of blood vessels – to subt...
Production: Uršula Berlot, 2021
The video Hyperoptics examines the technologically extended forms of visual perception that are enabled through the application of advanced optical research tools used in microscopy. (Source: the author)
Production: 2020
The video Bodyfraction parallels microscopic images of fragments of the artist’s body (tooth enamel, skin, nails, hair etc.) with recordings of drawings and light-sensitive objects created on their basis. Drawings were digitally processed towards si...
Production: DiN Records, 2020
By mixing colourful abstract light patterns and fragments of figurative reality the video aims to visualize a kind of inner psychological landscape, where words, thoughts, memories, emotions and desires combine and coexist in a highly fluid, intuitive way. (S...
Production: Uršula Berlot, 2019
The video creates an entry into fictional reality, where objects are transformed into fleeting luminary apparitions – softened, multiplied, liquified forms levitating through warped or non-gravitational space. (Source: Uršula Berlot)
Production: Uršula Berlot, 2019
Material objects (sculptures) are projected into virtual, fluid spatiality, appearing as dematerialised floating, kinetic light forms, freed of the constraints of time, mass, and gravity. (Source: Uršula Berlot)
Production: Uršula Berlot, 2019
The video for the track Orcinus Orca followed the release of the album Algida Bellezza (Alessandro Tedeschi aka Netherworld, Glacial Movements, 2019). The music captured the artist’s imaginations of coldness and isolation as well as visions of shin...
Production: 2017
The video works on two levels of microscopic observation: the first line of recordings shows the transformation of a non-living (inorganic) substance from one physical state to another – namely, the process of crystallization, which involves the tra...