The only common point of the scenes with a woman, or woman's body, and a naked man in front of the mirror are the human parts from the title of the work. In the first scene we hear a voice-off cynically forcing somebody to 'move the fat ass', while the image shows this very act. Thus we can understand the sentence literally, especially in the domain of the visual, which is really a fertile soil for narcissism. This is evident from the second scene, in which a young man watches himself in the mirror. However, the self-satisfied displaying of bodies is finally disturbed by the threat of danger introduced into the picture by means of a fully-dressed woman. (Source: Videodokument)