Barbara Borčić is art historian and media theorist, program advisor at SCCA-Ljubljana, Center for Contemporary Arts (Director 1997-2015) and head of video programs and video archive DIVA Station. She is active as a curator, lecturer and publicist with a focus particularly on performance art and video art along the artistic practices of the Ljubljana alternative scene of the 80s. She has regularly lectured and published texts in catalogues, magazines and books, e.g. Video Art from Conceptualism to Postmodernism, in: Impossible Histories: Historical Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991 (MIT Press, 2003); What Television Can Be, And What Artists Can Use It For, in: exh. cat. Amuse Me (Ljubljana: Mestna galerija, 2013); The ŠKUC Gallery, Alternative Culture, and Neue Slowenische Kunst in the 1980s, in: NSK from Kapital to Capital. Neue Slowenische Kunst – The Event of the Final Decade of Yugoslavia (MIT Press, 2015). She is the author of the book Celostna umetnina Laibach. Fragmentarni pogled [Gesamtkunst Laibach. Fragmentary View], (Ljubljana: Založba/*cf, 2013).