Nika Špan - Polucija v umetnosti / Pollution in Art (00:17:46)
Production: SCCA-Ljubljana, 2008
Video documents a lecture conducted as part of a continuous project No Nails, No Pedestals. The author designed the lecture in which she thematises pollution in art as an interactive audio-visual happening.
No. 753
"Video ne video"
Artist: Špan, Nika
Title: Video ne video
Subtitle: Nika Špan
Duration: 00:26:55
Year: 1997
Genre: Installation Art / Performance
Production: Moderna galerija Ljubljana
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MORETwo-channeled synchronous video was shot at the second triennial of contemporary Slovene art (U3). Video captured Nika Špan and Peter Weibel who communicated without seeing each other. Their communication happened through two direct video broadcasts on monitors placed before both agents. Video broadcasts were shot at the same time. Unedited recordings were presented in a video installation. Artist Nika Špan was presenting her four newest projects including the one they were in at that very moment to curator Peter Weibel only by writing and drawing. Weibel confirms whether or not he understands the concepts by nodding.
Nika Špan - Kako socializirati blues (modre)? / How to socialise the blues? (00:01:58)
Production: 2007
Video work is a unit of eleven simulation videos by Dr. R.B. Jones available online. Re-editing of the material found online enables the artist to re-conceptualize the content and focus on the visual part, which originally serves as a support. The work is...
Production: 2007
Video work is a unit of eleven simulation videos by Dr. R.B. Jones available online. Re-editing of the material found online enables the artist to re-conceptualize the content and focus on the visual part, which originally serves as a support. The work is...
Nika Špan - Fine Sciencies (00:00:49)
Production: 2006
Computer animation is based on a simulation presentation of a computer programme found online. Re-editing of the material enables the author to find new contents. The work is a part of the author's series Fine sciences in which she explores visualiza...
Production: 2006
Computer animation is based on a simulation presentation of a computer programme found online. Re-editing of the material enables the author to find new contents. The work is a part of the author's series Fine sciences in which she explores visualiza...
Nika Špan - Ljubljana by Heart (00:05:00)
Production: 2000
The work is a composit of two videos played on a two-channel projection. Both show aerial imagery of Ljubljana. The left camera travels above the actual city and the right one above the bronze model of the city. Video was made for an exhibition "Mani...
Production: 2000
The work is a composit of two videos played on a two-channel projection. Both show aerial imagery of Ljubljana. The left camera travels above the actual city and the right one above the bronze model of the city. Video was made for an exhibition "Mani...
Nika Špan - Per aspera ad astra (04:05:00)
Production: Nika Špan, 1999
Video work shows a footage of over four hour long constant changing of 150 television channels over Astra satellite. Video has been recorded without a video camera directly from television onto a VHS cassette with a VHS recorder. The duration of the video...
Production: Nika Špan, 1999
Video work shows a footage of over four hour long constant changing of 150 television channels over Astra satellite. Video has been recorded without a video camera directly from television onto a VHS cassette with a VHS recorder. The duration of the video...
Nika Špan - Video ne video (00:26:55)
Production: Moderna galerija Ljubljana, 1997
Two-channel video was made at the second triennial of Slovene art U3. Each of the camera follows one of the correspondents talking to each other about the author's projects without using any words. The author explains to her curator Peter Weibel abou...
Production: Moderna galerija Ljubljana, 1997
Two-channel video was made at the second triennial of Slovene art U3. Each of the camera follows one of the correspondents talking to each other about the author's projects without using any words. The author explains to her curator Peter Weibel abou...
