Ana Nuša Dragan - (00:15.30)
Production: VPK - Video Produkcija Kregar, 2001
Srečko Kosovel's life cycle is like a raindrop, where poetry is at home. He encounters the poetry very early, in an environment that is his foundation for the first images and the realization of truth. His life knows two homes, two centers: light and dar...
No. 874
"Ifigenija"
Video available only in physical archive
Artist: Dragan, Ana Nuša
Title: Ifigenija
Subtitle: A portrait of Ifigenija Zagoričnik Simonovič
Duration: 00:56:32
Year: 1994
Genre: Documentary video / Art video
Production: TV Slovenija
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MOREMy main concept was to present Ifigenia Zagoričnik-Simonović as a woman who managed to remain a woman in the world of men. It is a question of a woman - an artist, from the point of view of a woman who practiced various professions in order to survive. Today we know her as a renowned Slovenian poet, a woman whose pottery gives meaning to life and independence, a translator and a woman as a cultural ambassador and editor of Slovenian poetry. The portrait is conceptualized, it is a matter of communication - a conversation between two women, a director and a woman portrayed through a film camera, which is a male domain (source: Ana Nuša Dragan)
Ana Nuša Dragan - In Medias Res (00:47:00)
Production: TV Slovenija, 2000
Metka Krašovec is a painter, an outsider, a loner, a world traveler, a professor and a wife. She is a fighter but as a woman, she has no problems in a man-determined world. On the contrary, it gives her a lot of freedom because she doesn't have to...
Production: TV Slovenija, 2000
Metka Krašovec is a painter, an outsider, a loner, a world traveler, a professor and a wife. She is a fighter but as a woman, she has no problems in a man-determined world. On the contrary, it gives her a lot of freedom because she doesn't have to...
Ana Nuša Dragan - Survey (14:00)
Production: TV Skopje, 1990
The creation of video poetry: a scale of sequences shaped by Rene Magritte’s painting as a lyrical excess of the real world and the Macedonian landscape and architecture with distinct ethnographic dimensions. (Source: Videodokument)
Production: TV Skopje, 1990
The creation of video poetry: a scale of sequences shaped by Rene Magritte’s painting as a lyrical excess of the real world and the Macedonian landscape and architecture with distinct ethnographic dimensions. (Source: Videodokument)
Ana Nuša Dragan - Lyhnida (00:08:47)
Production: TV Skopje, 1989
A woman's body communicates with its surroundings; it is a receptor of the macrocosm that bears traces of all other laws, including even the physiology with all its energetic zones. This is the energy that corresponds to spiritual experiences, which also...
Production: TV Skopje, 1989
A woman's body communicates with its surroundings; it is a receptor of the macrocosm that bears traces of all other laws, including even the physiology with all its energetic zones. This is the energy that corresponds to spiritual experiences, which also...
Srečo Dragan, Ana Nuša Dragan - Grand Finale (00:12:05)
Production: RTV Beograd in Studentski kulturni centar Beograd, 1983
Here the discussion of video art is figured visually as well. A woman brings a videocassette to a man, and he inserts it into a video machine. The cassette features critics discussing in a variety of languages. The work aims to represent the subject of ne...
Production: RTV Beograd in Studentski kulturni centar Beograd, 1983
Here the discussion of video art is figured visually as well. A woman brings a videocassette to a man, and he inserts it into a video machine. The cassette features critics discussing in a variety of languages. The work aims to represent the subject of ne...
Ana Nuša Dragan - Communication Gastronomy (02:45)
Production: Ana Nuša Dragan, 1971
Communication of Gastronomy is one of the author’s early 8mm films. The subtitle gives instructions for understanding the author's starting points: SELECTIVE RELATIONSHIP OF EVENT SUCCESSIVE OF COMMUNICATION AND ACCUMULATION - DISTRIBUTION REVERT COMMUN...
Production: Ana Nuša Dragan, 1971
Communication of Gastronomy is one of the author’s early 8mm films. The subtitle gives instructions for understanding the author's starting points: SELECTIVE RELATIONSHIP OF EVENT SUCCESSIVE OF COMMUNICATION AND ACCUMULATION - DISTRIBUTION REVERT COMMUN...
Ana Nuša Dragan - H2O (02:00)
Production: Ana Nuša Dragan, 1970
After early silent black-and-white short films, this is the artist's first film that is more experimental. She shot it during the summer film school in Koper in 1968. It is already sound and colour film and it shows various expressive procedures and great...
Production: Ana Nuša Dragan, 1970
After early silent black-and-white short films, this is the artist's first film that is more experimental. She shot it during the summer film school in Koper in 1968. It is already sound and colour film and it shows various expressive procedures and great...
Ana Nuša Dragan - Some information (01:54)
Production: Ana Nuša Dragan, 1968
Some Information and Because of and So are the first short films by the artist: silent black and white 2x8mm films. They were created based on her interest in film and at the same time her study of psychology and pedagogy. In the 1960s, she became acquain...
Production: Ana Nuša Dragan, 1968
Some Information and Because of and So are the first short films by the artist: silent black and white 2x8mm films. They were created based on her interest in film and at the same time her study of psychology and pedagogy. In the 1960s, she became acquain...
Ana Nuša Dragan - Because of and So (01:04)
Production: Ana Nuša Dragan, 1968
Because of and So and Some Information are the first short films by the artist: silent black and white 2x8mm films. They were created based on her interest in film and at the same time her study of psychology and pedagogy. In the 1960s, she became acquain...
Production: Ana Nuša Dragan, 1968
Because of and So and Some Information are the first short films by the artist: silent black and white 2x8mm films. They were created based on her interest in film and at the same time her study of psychology and pedagogy. In the 1960s, she became acquain...