Saša Spačal - Liminoid (00:08:08)
Production: Saša Spačal, Muzej sodobne umetnosti Metelkova - MSUM+, 2016
The video conceptually reflects on Liminoid, an artwork by Saša Spačal and Matic Potočnik.
DIVA ecology
53 results in works
Saša Spačal - Mycophone_unison (00:14:27)
Production: Saša Spačal, Muzej sodobne umetnosti Metelkova - MSUM+, 2016
The video conceptually reflects on the work Mycophone_unison by Saša Spačal, Mirjan Švagelj and Anil Podgornik.
Production: Saša Spačal, Muzej sodobne umetnosti Metelkova - MSUM+, 2016
The video conceptually reflects on the work Mycophone_unison by Saša Spačal, Mirjan Švagelj and Anil Podgornik.
Damijan Kracina - Zoospective (00:11:53)
Subtitle: (Zoological Retrospective)
Production: 2000
The video summarises the basic motifs of the artist’s work: endangered species and fantasy animals of the future. It comprises an omnibus of five individual video pieces and additional raw video footage. First, we see ‘proteus’, a computer-generated olm in motion; which is followed by ‘An Interview with an Endangered Species’, featuring frontal shots of the Soča Trout opening its mouth as if it were speaking; these are combined with an Aquarium video showing the flight of the Soč...
Subtitle: (Zoological Retrospective)
Production: 2000
The video summarises the basic motifs of the artist’s work: endangered species and fantasy animals of the future. It comprises an omnibus of five individual video pieces and additional raw video footage. First, we see ‘proteus’, a computer-generated olm in motion; which is followed by ‘An Interview with an Endangered Species’, featuring frontal shots of the Soča Trout opening its mouth as if it were speaking; these are combined with an Aquarium video showing the flight of the Soč...
Polonca Lovšin - Water Collector (00:00:23)
Subtitle: Ulica
Production: 2002
A video document of the project Water Collector in which the author is walking through town on a rainy day, collecting water into her umbrella which is turned inside out and held above her.
Subtitle: Ulica
Production: 2002
A video document of the project Water Collector in which the author is walking through town on a rainy day, collecting water into her umbrella which is turned inside out and held above her.
Damijan Kracina - Kocka / Cube (0:03:39)
Production: 1995
A group event staged in public spaces - at a bus stop and in the garden of the Academy of Fine Arts in Ljubljana - took place on 22 March, World Water Day. The event was intended to draw attention to this day not by moralising, but by emphasising the joy of living. The main element in the video is a sponge cube with holes, which hides the artist. The water theme is further emphasised by the prevailing blue colour of the picture. The members of the group water the sponge at both locations – the bus sto...
Production: 1995
A group event staged in public spaces - at a bus stop and in the garden of the Academy of Fine Arts in Ljubljana - took place on 22 March, World Water Day. The event was intended to draw attention to this day not by moralising, but by emphasising the joy of living. The main element in the video is a sponge cube with holes, which hides the artist. The water theme is further emphasised by the prevailing blue colour of the picture. The members of the group water the sponge at both locations – the bus sto...
Damijan Kracina - Thylacinus Cynocephalus (00:01:09)
Production: 2000
The video reconstructs the movements of the Tasmanian tiger (Thylacinus cynocephalus), which became extinct in 1936. A year before the video was created, the Australian Museum in Sydney began developing methods for preserving the genetic material of the animal in order to clone it in the 21st century, when appropriate technological procedures become available. Kracina watched the final footage of the Tasmanian tiger on TV and filmed it. He coloured the black-and-white shots and simulated the animal’s...
Production: 2000
The video reconstructs the movements of the Tasmanian tiger (Thylacinus cynocephalus), which became extinct in 1936. A year before the video was created, the Australian Museum in Sydney began developing methods for preserving the genetic material of the animal in order to clone it in the 21st century, when appropriate technological procedures become available. Kracina watched the final footage of the Tasmanian tiger on TV and filmed it. He coloured the black-and-white shots and simulated the animal’s...
Damijan Kracina - Aquarium (00:01:12)
Production: 1997
Underwater footage of a flock of rainbow trout, one of the species that, due to man's excessive and irresponsible exploitation of nature, began to displace the Soča trout. The swimming fish opening their mouths are silent witnesses of human actions.
Production: 1997
Underwater footage of a flock of rainbow trout, one of the species that, due to man's excessive and irresponsible exploitation of nature, began to displace the Soča trout. The swimming fish opening their mouths are silent witnesses of human actions.
Damijan Kracina - A collage of excepts by Kracina (00:03:09)
Production: 1995
A collage of three video works. The first shows footage of an exhibition at Trdnjavi Kluže Gallery in Bovec, where the artist presented one of his first statues of animals – a remote-controlled skunk. The second video is a study of changes in colour tones on surfaces saturated with colour. The third video shows the computer generated movements of the olm – proteus.
Production: 1995
A collage of three video works. The first shows footage of an exhibition at Trdnjavi Kluže Gallery in Bovec, where the artist presented one of his first statues of animals – a remote-controlled skunk. The second video is a study of changes in colour tones on surfaces saturated with colour. The third video shows the computer generated movements of the olm – proteus.
Apolonija Šušteršič - Do It Yourself (0:05:36)
Production: Rijksakademie van beeldende kunsten Amsterdam, 1997
This video clip demonstration presents the use of a new commercial product, a recycled wax brick. Various professionals (referred to as architects at the end of the clip) demonstrate its usage through the process of building a wall. The video clip forms part of an installation of the same title. (VD)
Production: Rijksakademie van beeldende kunsten Amsterdam, 1997
This video clip demonstration presents the use of a new commercial product, a recycled wax brick. Various professionals (referred to as architects at the end of the clip) demonstrate its usage through the process of building a wall. The video clip forms part of an installation of the same title. (VD)
Zemira Alajbegović, Neven Korda - Autobus (00:11:10)
Production: TV Slovenija, 1993
The video starts with a graphic sign from which emerge images, and this procedure points to the fact that any documentary is but an artefact. The narrator searches through documents and reconstructs the life of Lela: in the Middle Ages she was accused of witchcraft; in the 20th century she finds herself in the midst of war, in the future she will leave the planet. Lela's individual destiny is being inscribed into the fate of humanity by means of layering the image; only television shots of the war in former...
Production: TV Slovenija, 1993
The video starts with a graphic sign from which emerge images, and this procedure points to the fact that any documentary is but an artefact. The narrator searches through documents and reconstructs the life of Lela: in the Middle Ages she was accused of witchcraft; in the 20th century she finds herself in the midst of war, in the future she will leave the planet. Lela's individual destiny is being inscribed into the fate of humanity by means of layering the image; only television shots of the war in former...
