Jasna Hribernik - Hiša nasprotij / House of Contrasts (00:20:17)
Production: TV Slovenija, 1998
Video documents a day in a house, where both the main Ljubljana food market and Christian seminary are based. Lively, ordinary conversations with the vendors blend with scenes from peaceful clerical life, which goes on undisturbed in the upper storeys of the same building. While the first, engaged with the earth and the material side of being, the second deal with spiritual and soulful aspect of life. Through the narrator the author questions about existence of life beyond matter.
Classical documentary sh...
DIVA food
27 results in works
Damijan Kracina, Katarina Toman Kracina - Marmelada / Marmalade (00:03:37)
Production: 2004
Are you familiar with that tingling feeling somewhere that emerges around the root of your tongue when you eat marmalade without bread and butter? The marmalade sticks to your palate and its taste lingers in your mouth for a long time. It's that special home-made marmalade, saturated with sugar. In the video Marmalade, we get to know yet another, truly practical usage of that sweet mélange. In some parts, they once used to spread it on the tiles, which were keeping the heat of the wooden stove apart f...
Production: 2004
Are you familiar with that tingling feeling somewhere that emerges around the root of your tongue when you eat marmalade without bread and butter? The marmalade sticks to your palate and its taste lingers in your mouth for a long time. It's that special home-made marmalade, saturated with sugar. In the video Marmalade, we get to know yet another, truly practical usage of that sweet mélange. In some parts, they once used to spread it on the tiles, which were keeping the heat of the wooden stove apart f...
Alenka Pirman, Maja Šubic - Ajiaco (0:05:15)
Production: Ljudmila, 1998
In this video by Alenka Pirman and Maja Šubic, the artists present the traditional Colombian dish ajiaco and through photographs describe the land and culture in which it originates. Adhering strictly to the cooking show genre, they set about preparing a dish that, from now on, we too can make for ourselves in Slovenia. A certain irony is audible in what the artists say, although the tone of their speech is never less than proper. At the end of the video they enjoy the ajiaco with the popular singer Ja...
Production: Ljudmila, 1998
In this video by Alenka Pirman and Maja Šubic, the artists present the traditional Colombian dish ajiaco and through photographs describe the land and culture in which it originates. Adhering strictly to the cooking show genre, they set about preparing a dish that, from now on, we too can make for ourselves in Slovenia. A certain irony is audible in what the artists say, although the tone of their speech is never less than proper. At the end of the video they enjoy the ajiaco with the popular singer Ja...
Apolonija Šušteršič - How To Make Orange Juice I (0:02:08)
Production: 1998
Podroben potek priprave naravnega pomarančnega soka v domači kuhinji. Notranjost Juice Bara sestavljajo zelene plošče, ki služijo kot 11-metrski bar in barski stoli, oranžne stene in tla, mize in stoli, ki jih je oblikoval Arne Vehovar za Magis, naslovni logotip Irene Woelle, skodelice z odtisnjenim logotipom, sokovniki, posode, pomaranče, hladilnik in koši za smeti.
Production: 1998
Podroben potek priprave naravnega pomarančnega soka v domači kuhinji. Notranjost Juice Bara sestavljajo zelene plošče, ki služijo kot 11-metrski bar in barski stoli, oranžne stene in tla, mize in stoli, ki jih je oblikoval Arne Vehovar za Magis, naslovni logotip Irene Woelle, skodelice z odtisnjenim logotipom, sokovniki, posode, pomaranče, hladilnik in koši za smeti.
Rok Sieberer Kuri - Tišina prosim, gledamo (00:09:58)
Production: 2001
Pripravljanje razstave Roka Siebererja Kurija v galeriji Kapelica (2001), kjer na dokumentaren način beleži delovani proces. Postavljanje instalacij, umeščanje video del v prostor, pogovor o učinskih predstavljenega.
Production: 2001
Pripravljanje razstave Roka Siebererja Kurija v galeriji Kapelica (2001), kjer na dokumentaren način beleži delovani proces. Postavljanje instalacij, umeščanje video del v prostor, pogovor o učinskih predstavljenega.
Duba Sambolec - Collectors #3 (30:55)
Subtitle: *Settings*
Production: Duba Sambolec, 2002
Video deals with the dynamics in a personal service sector through a series of scenes displaying body care in a satirical manner. Scenes are set in doubles. The woman offering the service is preparing the cosmetic specimens and in the next scene she uses them to treat her client. Scenes of preparations are accompanied with whistling dictating an optimistic working atmosphere. Video Collectors #3 is a reflection of the author about a personal profile, some sort of auto portrait placing the viewer into Other'...
Subtitle: *Settings*
Production: Duba Sambolec, 2002
Video deals with the dynamics in a personal service sector through a series of scenes displaying body care in a satirical manner. Scenes are set in doubles. The woman offering the service is preparing the cosmetic specimens and in the next scene she uses them to treat her client. Scenes of preparations are accompanied with whistling dictating an optimistic working atmosphere. Video Collectors #3 is a reflection of the author about a personal profile, some sort of auto portrait placing the viewer into Other'...
Zemira Alajbegović - P.O.R. (00:00:29)
Subtitle: Burn out #9
Production: ZANK, 2003
Video is a part of a series of eleven noise track videos by a music group BAST titled Burn Out. The camera is still but not completely static. The music dictates the rhythm of fast-forwarded detail shots of cutting a leek and shredding a carrot. Music and image create a comic contrast.
Subtitle: Burn out #9
Production: ZANK, 2003
Video is a part of a series of eleven noise track videos by a music group BAST titled Burn Out. The camera is still but not completely static. The music dictates the rhythm of fast-forwarded detail shots of cutting a leek and shredding a carrot. Music and image create a comic contrast.
Zemira Alajbegović - Quick/Slow (00:11:47)
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.
Sašo Sedlaček - Piknik na deponiji / Picnic on a Dump (0:09:06)
Production: 2004
Video documents a trip of a group of artists to a city wasteland. The intention of the artist's action is to establish creative practises in an extreme, unusual environment. Despite the stench of the wasteland, the artists start to explore the field and actually creatively dedicate to the project. Hand held camera captures details of the depot and documents artist actions.
Production: 2004
Video documents a trip of a group of artists to a city wasteland. The intention of the artist's action is to establish creative practises in an extreme, unusual environment. Despite the stench of the wasteland, the artists start to explore the field and actually creatively dedicate to the project. Hand held camera captures details of the depot and documents artist actions.
Pila Rusjan - Po-vračanje (0:18:19)
Production: Visoka šola za umetnost Univerze v Novi Gorici; Famul Stuart & KUD PUNce, 2010
Delo Po-vračanje je dvokanalna video instalacija, ki sinhrono prikazuje dva vsebinsko in formalno povezana posnetka skozi specifično postavitev na način, da gledalec nikdar ne vidi obeh strani naenkrat, ter predstavlja metaforo posameznikovega podrejanja skupini oz. posameznikove vpetosti v širšo družbo. Videa sta posneta v studijskem okolju s popolnoma statično kamero, ki nepremično spremlja dogajanje v prostoru, razdeljenem na dve strogo ločeni strani. Osrednji motiv videa je slavnostna večerja...
Production: Visoka šola za umetnost Univerze v Novi Gorici; Famul Stuart & KUD PUNce, 2010
Delo Po-vračanje je dvokanalna video instalacija, ki sinhrono prikazuje dva vsebinsko in formalno povezana posnetka skozi specifično postavitev na način, da gledalec nikdar ne vidi obeh strani naenkrat, ter predstavlja metaforo posameznikovega podrejanja skupini oz. posameznikove vpetosti v širšo družbo. Videa sta posneta v studijskem okolju s popolnoma statično kamero, ki nepremično spremlja dogajanje v prostoru, razdeljenem na dve strogo ločeni strani. Osrednji motiv videa je slavnostna večerja...
