Darij Kreuh - Mine Mind Do you Mind (00:03:18)
Subtitle: Imena skulptur: Treadmill, Push it, Cabine
Production: 1993
Posnetek serije skulptur, ki delujejo kot nihala. Gre za interaktivno delo predmeta s predmeti in za dokumentarne posnetke iz razstave, v katere montaža minimalno poseže. Kamera posega v različne kote eksponatov, zato da jih lažje - razločneje vidimo.
DIVA human-machine interaction
44 results in works
Saša Spačal - Liminoid (00:08:08)
Production: Saša Spačal, Muzej sodobne umetnosti Metelkova - MSUM+, 2016
The video conceptually reflects on Liminoid, an artwork by Saša Spačal and Matic Potočnik.
Production: Saša Spačal, Muzej sodobne umetnosti Metelkova - MSUM+, 2016
The video conceptually reflects on Liminoid, an artwork by Saša Spačal and Matic Potočnik.
Saša Spačal - Mycophone_unison (00:14:27)
Production: Saša Spačal, Muzej sodobne umetnosti Metelkova - MSUM+, 2016
The video conceptually reflects on the work Mycophone_unison by Saša Spačal, Mirjan Švagelj and Anil Podgornik.
Production: Saša Spačal, Muzej sodobne umetnosti Metelkova - MSUM+, 2016
The video conceptually reflects on the work Mycophone_unison by Saša Spačal, Mirjan Švagelj and Anil Podgornik.
Borut Savski - Bowlfuls of Sound (00:03:34)
Production: 2008
Two sperical bowls (from the Dancers series) have simple motorics and a bit more complex sensorics. They are susceptible to the sound they hear, but they also coproduce the sound (compressed microphony). This is why the bowls are full of sound. They can see each other (infrared sensor) and then they change direction. This should allow for the bowls to slowly zigzag closer to each other, which doesn’t really interests us anymore, but for the bowls this may be defined as a motive (with humans it could b...
Production: 2008
Two sperical bowls (from the Dancers series) have simple motorics and a bit more complex sensorics. They are susceptible to the sound they hear, but they also coproduce the sound (compressed microphony). This is why the bowls are full of sound. They can see each other (infrared sensor) and then they change direction. This should allow for the bowls to slowly zigzag closer to each other, which doesn’t really interests us anymore, but for the bowls this may be defined as a motive (with humans it could b...
Maja Smrekar - Brain TV (00:31:36)
Subtitle: rcv:10.95–11.7GHz,snd 5.8GHz
Production: Galerija Kapelica, Zavod K6/4, 2008
Brain TV je interaktivni tehnološko pogojeni projekt, ki je bil postavljen v Galeriji Kapelica. Predstavljen je na podlagi video dokumentacije. Brain TV deluje na frekvencah med 10.95 in 11.7 gigahercev. To pomeni, da zbira elektromagnetna valovanja iz vesolja, jih zajema prek radijskega sprejemnika ter nato skozi kompleksne vmesnike pretvarja v zvok in sliko. Ker so signali iz neskončnega univerzuma večinoma šibki in statični, je avtorica za vmesnik uporabila človeško telo oziroma možgane kot enega...
Subtitle: rcv:10.95–11.7GHz,snd 5.8GHz
Production: Galerija Kapelica, Zavod K6/4, 2008
Brain TV je interaktivni tehnološko pogojeni projekt, ki je bil postavljen v Galeriji Kapelica. Predstavljen je na podlagi video dokumentacije. Brain TV deluje na frekvencah med 10.95 in 11.7 gigahercev. To pomeni, da zbira elektromagnetna valovanja iz vesolja, jih zajema prek radijskega sprejemnika ter nato skozi kompleksne vmesnike pretvarja v zvok in sliko. Ker so signali iz neskončnega univerzuma večinoma šibki in statični, je avtorica za vmesnik uporabila človeško telo oziroma možgane kot enega...
Zemira Alajbegović - Marko Peljhan's Invisible Territory (00:49:12)
Production: RTV Slovenija, 2007
Marko Peljhan's Invisible Territory is a documentary on multi media-artist Marko Peljhan and his project Makrolab, a mobile artistic and scientific laboratory that travels around the world. It was based in Scotland, Australia, Slovenia, USA. Now preparations are being made to move it to the Arctic and Antarctic. In Makrolab jointly work artists from all over the world, they analyze signals and the environment, their mission is to create new, critical art.
Production: RTV Slovenija, 2007
Marko Peljhan's Invisible Territory is a documentary on multi media-artist Marko Peljhan and his project Makrolab, a mobile artistic and scientific laboratory that travels around the world. It was based in Scotland, Australia, Slovenia, USA. Now preparations are being made to move it to the Arctic and Antarctic. In Makrolab jointly work artists from all over the world, they analyze signals and the environment, their mission is to create new, critical art.
Tomaž Furlan - Wear I (00:03:23)
Subtitle: Wear series
Production: Tomaž Furlan, 2005
Video is a part of a series of studio performances Wear compounded of eight works. The artist becomes a cyborg - a man sculpture. He is wearing massive concrete sculptural elements, which make his movements stiff and difficult. With clumsy performance of everyday household chores he humorously deals with the paradox of a life routine with machines, which are supposed to make our life easier and which mentally and ideologically determine the freedom of movement and thinking. Video works were made between 2004...
Subtitle: Wear series
Production: Tomaž Furlan, 2005
Video is a part of a series of studio performances Wear compounded of eight works. The artist becomes a cyborg - a man sculpture. He is wearing massive concrete sculptural elements, which make his movements stiff and difficult. With clumsy performance of everyday household chores he humorously deals with the paradox of a life routine with machines, which are supposed to make our life easier and which mentally and ideologically determine the freedom of movement and thinking. Video works were made between 2004...
Tomaž Furlan - Wear V (00:03:22)
Subtitle: Wear Series
Production: Tomaž Furlan, 2005
Video is a part of a series of studio performances Wear compounded of eight works. The artist becomes a cyborg - a man sculpture. He is wearing massive concrete sculptural elements, which make his movements stiff and difficult. With clumsy performance of everyday household chores he humorously deals with the paradox of a life routine with machines, which are supposed to make our life easier and which mentally and ideologically determine the freedom of movement and thinking. Video works were made between 2004...
Subtitle: Wear Series
Production: Tomaž Furlan, 2005
Video is a part of a series of studio performances Wear compounded of eight works. The artist becomes a cyborg - a man sculpture. He is wearing massive concrete sculptural elements, which make his movements stiff and difficult. With clumsy performance of everyday household chores he humorously deals with the paradox of a life routine with machines, which are supposed to make our life easier and which mentally and ideologically determine the freedom of movement and thinking. Video works were made between 2004...
Tomaž Furlan - Wear II (00:03:45)
Subtitle: Wear series
Production: Tomaž Furlan, 2005
Video is a part of a series of studio performances Wear compounded of eight works. The artist becomes a cyborg - a man sculpture. He is wearing massive concrete sculptural elements, which make his movements stiff and difficult. With clumsy performance of everyday household chores he humorously deals with the paradox of a life routine with machines, which are supposed to make our life easier and which mentally and ideologically determine the freedom of movement and thinking. Video works were made between 2004...
Subtitle: Wear series
Production: Tomaž Furlan, 2005
Video is a part of a series of studio performances Wear compounded of eight works. The artist becomes a cyborg - a man sculpture. He is wearing massive concrete sculptural elements, which make his movements stiff and difficult. With clumsy performance of everyday household chores he humorously deals with the paradox of a life routine with machines, which are supposed to make our life easier and which mentally and ideologically determine the freedom of movement and thinking. Video works were made between 2004...
Tomaž Furlan - Wear III (00:02:17)
Subtitle: Wear series
Production: Tomaž Furlan, 2005
Video is a part of a series of studio performances Wear compounded of eight works. The artist becomes a cyborg - a man sculpture. He is wearing massive concrete sculptural elements, which make his movements stiff and difficult. With clumsy performance of everyday household chores he humorously deals with the paradox of a life routine with machines, which are supposed to make our life easier and which mentally and ideologically determine the freedom of movement and thinking. Video works were made between 2004...
Subtitle: Wear series
Production: Tomaž Furlan, 2005
Video is a part of a series of studio performances Wear compounded of eight works. The artist becomes a cyborg - a man sculpture. He is wearing massive concrete sculptural elements, which make his movements stiff and difficult. With clumsy performance of everyday household chores he humorously deals with the paradox of a life routine with machines, which are supposed to make our life easier and which mentally and ideologically determine the freedom of movement and thinking. Video works were made between 2004...
