Alenka Pirman - Close Your Eyes and Watch (0:00:47 zanka / loop)
Subtitle: Silent Lecture
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
DIVA conceptual art
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14 results in works
Alenka Pirman - Franci Zagoričnik - Črno-beli diapazon, 1966-2006 (00:02:35 zanka / loop)
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Alenka Pirman - Ivan Volarič-Feo - Peščena ura, 1969-2006 (00:02:02 zanka / loop)
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Matjaž Hanžek - Nebotičnik, 1967-2006 (00:02:46 zanka / loop)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Aleš Kermavner - KAJ JE (V-SEBI-NA = V), ok. 1966-2006 (00:02:22)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Nika Oblak & Primož Novak - Explosion (0:00:16)
Production: 2003
The video shows Primož Novak being blown up. It plays with idea that artists have to exert a tremendous amount of effort in order to be successful, and at the same time, it mocks the strategy of shocking the audience as a formula for quick success-a strategy that is very familiar to our commercially oriented contemporary society. (Source: oblak-novak.org)
Production: 2003
The video shows Primož Novak being blown up. It plays with idea that artists have to exert a tremendous amount of effort in order to be successful, and at the same time, it mocks the strategy of shocking the audience as a formula for quick success-a strategy that is very familiar to our commercially oriented contemporary society. (Source: oblak-novak.org)
Marko A. Kovačič - Casus belli (film) (00:13:37)
Production: ŠKUC, 1983
An experimental miniature that addresses the basic building blocks of film and dissects and explores the moving image and medium of film. The body is a painter's canvas, geometric figures are mise-en-scene, performance is a study of movement, masking and disguise. A short film is composed of sequences constructed on the montage principle and synchronised with sound played from a separate source (tape recorder). The geometric constructions are alternated with images of the body (of the artist) that transfor...
Production: ŠKUC, 1983
An experimental miniature that addresses the basic building blocks of film and dissects and explores the moving image and medium of film. The body is a painter's canvas, geometric figures are mise-en-scene, performance is a study of movement, masking and disguise. A short film is composed of sequences constructed on the montage principle and synchronised with sound played from a separate source (tape recorder). The geometric constructions are alternated with images of the body (of the artist) that transfor...
Alenka Pirman - Naško Križnar - Drekec pekec, ok. 1966-2006 (00:00:23 zanka)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, Kibla, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, Kibla, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Ana Nuša Dragan - Communication Gastronomy (02:45)
Production: Ana Nuša Dragan, 1971
Communication of Gastronomy is one of the author’s early 8mm films. The subtitle gives instructions for understanding the author's starting points: SELECTIVE RELATIONSHIP OF EVENT SUCCESSIVE OF COMMUNICATION AND ACCUMULATION - DISTRIBUTION REVERT COMMUNICATION OF APPETITE AND FOOD. The film shows different actors sitting at a table in the garden eating different food. The camera is static; the actors enter the frame and take turns. The film shows different actors sitting at a table in the garden eat...
Production: Ana Nuša Dragan, 1971
Communication of Gastronomy is one of the author’s early 8mm films. The subtitle gives instructions for understanding the author's starting points: SELECTIVE RELATIONSHIP OF EVENT SUCCESSIVE OF COMMUNICATION AND ACCUMULATION - DISTRIBUTION REVERT COMMUNICATION OF APPETITE AND FOOD. The film shows different actors sitting at a table in the garden eating different food. The camera is static; the actors enter the frame and take turns. The film shows different actors sitting at a table in the garden eat...
Ana Nuša Dragan - Some information (01:54)
Production: Ana Nuša Dragan, 1968
Some Information and Because of and So are the first short films by the artist: silent black and white 2x8mm films. They were created based on her interest in film and at the same time her study of psychology and pedagogy. In the 1960s, she became acquainted with film production, theory, and practical work, attended a film course by Vasko Pregelj, joined summer film schools and screenings and talks of the Movie Lovers' Club, which at that time was led by Mirjana Borčić in the small hall of Ljubljana's Kin...
Production: Ana Nuša Dragan, 1968
Some Information and Because of and So are the first short films by the artist: silent black and white 2x8mm films. They were created based on her interest in film and at the same time her study of psychology and pedagogy. In the 1960s, she became acquainted with film production, theory, and practical work, attended a film course by Vasko Pregelj, joined summer film schools and screenings and talks of the Movie Lovers' Club, which at that time was led by Mirjana Borčić in the small hall of Ljubljana's Kin...
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