Katja Šoltes, Emir Jelkić - How Do You Say Ćesma? / Kako se kaže fountain? (00:07:30)
Production: Ljudmila, Ljubljana in SCCA/pro.ba, Sarajevo, 2000
The video shows thoughts of a traveller and runner David Jones, who is discovering a war-stricken Sarajevo and tells the story of his endless travels. First the video follows the runner and surroundings through a window of a moving car. The shots at the end of the video are static and feature close-ups of the runner.
DIVA socialism
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20 results in works
Andrej Lupinc - Mladina gradi / The Youth Constructs (0:22:06)
Production: Brut, 1985
Technologically manipulated scenes from documentary and propaganda films Mladina gradi, Obzornik, 3. kongres ZSMS (The Youth Constructs, Obzornik, The 3rd Congress of Slovene Youth)directed by France Štiglic in a positive and encouraging manner, typical for these films, show youth brigades helping renew Yugoslavia after its emancipation. The narrator informs the viewer about what has happened during the Second World War and then introduces the brigades and some of its most hard working participants with th...
Production: Brut, 1985
Technologically manipulated scenes from documentary and propaganda films Mladina gradi, Obzornik, 3. kongres ZSMS (The Youth Constructs, Obzornik, The 3rd Congress of Slovene Youth)directed by France Štiglic in a positive and encouraging manner, typical for these films, show youth brigades helping renew Yugoslavia after its emancipation. The narrator informs the viewer about what has happened during the Second World War and then introduces the brigades and some of its most hard working participants with th...
Sašo Podgoršek - God is God (00:03:42)
Production: 1996
Music video for the song God is God by Slovenian band Laibach.
Production: 1996
Music video for the song God is God by Slovenian band Laibach.
Neven Korda, Zemira Alajbegović - Staro in novo (01:05:55)
Production: V.S. Video / Forum Ljubljana, VPK & TV Slovenija (kulturna redakcija), 1997
Staro in novo je dokumentarec o posnetkih FV videa. Video rekonstruira živahni vrvež na ljubljanski subkulturni sceni v 80-ih letih, ki sta ji pripadala tudi avtorja. Množico dokumentov in video posnetkov, nastalih od 1982 do 1986, sta z minuciozno in hitro montažo slike in zvoka združila v enourno zgodbo, v kateri se lastna čustva in osebni pogledi prepletajo z družbeno-kritično subkulturo in širšim zgodovinskim okvirom - jugoslovanskim socialističnim sistemom. Eisenstein, čigar nas...
Production: V.S. Video / Forum Ljubljana, VPK & TV Slovenija (kulturna redakcija), 1997
Staro in novo je dokumentarec o posnetkih FV videa. Video rekonstruira živahni vrvež na ljubljanski subkulturni sceni v 80-ih letih, ki sta ji pripadala tudi avtorja. Množico dokumentov in video posnetkov, nastalih od 1982 do 1986, sta z minuciozno in hitro montažo slike in zvoka združila v enourno zgodbo, v kateri se lastna čustva in osebni pogledi prepletajo z družbeno-kritično subkulturo in širšim zgodovinskim okvirom - jugoslovanskim socialističnim sistemom. Eisenstein, čigar nas...
Neven Korda, Zemira Alajbegović - The Old and the New (01:05:55)
Production: V.S. Video / Forum Ljubljana, VPK & TV Slovenija (kulturna redakcija), 1997
The Old and the New reconstructs the lively bustle of the "Ljubljana subculture scene" in the eighties, and it was made by two insiders. With a minute and swift editing of the picture and sound, the makers have succeeded in compiling a number of documents and video shots - made between 1982 and 1988 under the label FV Video - into an hour-long narrative. The video combines the emotions and personal views with the socially-critical subculture and the wider historical context of the Yugoslav socialist system....
Production: V.S. Video / Forum Ljubljana, VPK & TV Slovenija (kulturna redakcija), 1997
The Old and the New reconstructs the lively bustle of the "Ljubljana subculture scene" in the eighties, and it was made by two insiders. With a minute and swift editing of the picture and sound, the makers have succeeded in compiling a number of documents and video shots - made between 1982 and 1988 under the label FV Video - into an hour-long narrative. The video combines the emotions and personal views with the socially-critical subculture and the wider historical context of the Yugoslav socialist system....
Marko A. Kovačič - Katastropolis (00:01:04)
Production: M. A. Kovačič, 1997
A one-minute flyover of the city of Katastropolis, built by the artist as a maquette - the basic setting for the video Forth into the Past. It is composed of artworks, artefacts, and found objects from different materials, techniques, spaces and times.
Production: M. A. Kovačič, 1997
A one-minute flyover of the city of Katastropolis, built by the artist as a maquette - the basic setting for the video Forth into the Past. It is composed of artworks, artefacts, and found objects from different materials, techniques, spaces and times.
Marko A. Kovačič - Dosje 83:03 - video rekonstrukcija / Dossier 83:03. Video Reconstruction (00:45:40)
Production: Forum-Ljubljana / Zwiks, 2003
Narration d'auteur contextualises the artists own art practice within the social and political circumstances in Yugoslavia/Slovenia in the period of 20 years. The visual material originates from his personal archive and appertains to his art projects, home/family shots, or found footages/TV News. The video presents the historical/social events through biased/personal view. The methodology of individual authorial approach is relatively personal expressing the eclecticism of the 90s – the fragmentarines...
Production: Forum-Ljubljana / Zwiks, 2003
Narration d'auteur contextualises the artists own art practice within the social and political circumstances in Yugoslavia/Slovenia in the period of 20 years. The visual material originates from his personal archive and appertains to his art projects, home/family shots, or found footages/TV News. The video presents the historical/social events through biased/personal view. The methodology of individual authorial approach is relatively personal expressing the eclecticism of the 90s – the fragmentarines...
Neven Korda - The Futurists (CD-ROM)
Subtitle: Video from the underground
Production: ZANK, 2001
Video collage recycles video memories from the 1980' as captured by the eye of FV Video camera and fragments of recordings of performances and projects by the group Borghesia and HC Collective from Ljubljana. The content of the CD-ROM doesn't contain any broader explanation and is based on image and sound. The CD-ROM takes us on a reliving of the alternative scene of the 80', which was one of the most vital and creative scenes in the history of Slovene culture and art.
Subtitle: Video from the underground
Production: ZANK, 2001
Video collage recycles video memories from the 1980' as captured by the eye of FV Video camera and fragments of recordings of performances and projects by the group Borghesia and HC Collective from Ljubljana. The content of the CD-ROM doesn't contain any broader explanation and is based on image and sound. The CD-ROM takes us on a reliving of the alternative scene of the 80', which was one of the most vital and creative scenes in the history of Slovene culture and art.
Marko A. Kovačič - Naprej v preteklost (razstava) / Forth Into the Past (exhibition) (00:05:38)
Production: 1994
Documentation of the exhibition in Škuc Gallery, Ljubljana, 1994
Production: 1994
Documentation of the exhibition in Škuc Gallery, Ljubljana, 1994
Marko A. Kovačič - American Dream (00:06:43)
Production: Brut film, 1986
An ambivalent deconstruction of fantasies about the promised land and faith in art, which is carried out through the stereotypical game of infinite hide-and-seek. It is a dialectic confrontation of the certain heroics of the regime that operated by prohibitions and its own detachment from the people, with the proclamation of a rapprochement with Western systems of liberal capitalism. (Source: DIVA)
Production: Brut film, 1986
An ambivalent deconstruction of fantasies about the promised land and faith in art, which is carried out through the stereotypical game of infinite hide-and-seek. It is a dialectic confrontation of the certain heroics of the regime that operated by prohibitions and its own detachment from the people, with the proclamation of a rapprochement with Western systems of liberal capitalism. (Source: DIVA)
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