Marko A. Kovačič - Song of Flesh and Image Was Made Body (00:15:56)
Production: ŠKUC - Forum / koprodukcija Marijan Osole - Max, 1985
The story of the narrative is based on the genre of crime fiction. The images are filled with citations from the history of art and cinema (Man Ray, Sergei Eisenstein) and are further stratified and multiplied. The dynamics of the image fraught with typical cinematic suspense is matched with the music full of suspense (Bernard Herrmann). (Source: DIVA)
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40 results in works
Miha Vipotnik - Space 2 (01:53)
Production: Max-Max (Brut), 1986
In his video work the author gives an ironic statement about the state of home video production of that time and its integration in television programme (recorded for Petak u 22. TV Belgrade show in 1984). In the beginning the artist is sitting in a studio in a manner of TV broadcast presenters. His statement continues in an off over a montage of segments of one of his older video works Space shot in black and white. The montage is edited with added chroma key. Video was shown as part of Avtovizija (1986),...
Production: Max-Max (Brut), 1986
In his video work the author gives an ironic statement about the state of home video production of that time and its integration in television programme (recorded for Petak u 22. TV Belgrade show in 1984). In the beginning the artist is sitting in a studio in a manner of TV broadcast presenters. His statement continues in an off over a montage of segments of one of his older video works Space shot in black and white. The montage is edited with added chroma key. Video was shown as part of Avtovizija (1986),...
Jasna Hribernik - Lok Telesa / The Body Bow (00:18:21)
Production: Sfinga, TV Slovenija, 1996
In the late seventies, the expressive dancer Jasna Knez travelled through the former Yugoslavia creating new dance elements inspired by the particularities of individual cultural surroundings. The video traces her steps during the nineties, but now they are often viewed as absurd documents of the post-war period. The layering of the images combines body movements and the geography of space, but their visual harmony is disturbed by a graphic sign undergoing several transformations, including an animated draw...
Production: Sfinga, TV Slovenija, 1996
In the late seventies, the expressive dancer Jasna Knez travelled through the former Yugoslavia creating new dance elements inspired by the particularities of individual cultural surroundings. The video traces her steps during the nineties, but now they are often viewed as absurd documents of the post-war period. The layering of the images combines body movements and the geography of space, but their visual harmony is disturbed by a graphic sign undergoing several transformations, including an animated draw...
Andrej Lupinc - V 8. minutah okoli sveta / In 8 Minutes around the World (00:09:38)
Production: TV Slovenija, filmski laboratorij, 1990-2000
The documentary video patchwork with shots from various places in the world that the author visited while working as a cameraman at Slovenian national TV station in the span of ten years. Diversity of aesthetics is visible through a compilation of shots from different continents. A stable rhythm that runs through the whole video unifies all different scenes and brakes the seeming symbolic differences. The video would work as an ideal visualisation of Levi-Strauss's anthropological theory developed in h...
Production: TV Slovenija, filmski laboratorij, 1990-2000
The documentary video patchwork with shots from various places in the world that the author visited while working as a cameraman at Slovenian national TV station in the span of ten years. Diversity of aesthetics is visible through a compilation of shots from different continents. A stable rhythm that runs through the whole video unifies all different scenes and brakes the seeming symbolic differences. The video would work as an ideal visualisation of Levi-Strauss's anthropological theory developed in h...
Damijan Kracina - Kurca / Little Hen (00:02:55)
Production: 1996
The work was made in the studio of the sculpture department at the Academy of Fine Arts. A hen appears in the studio and waddles across the room. The prevailing colours of the image are various shades of blue. The hen is caught in a sculpture installation with a television set screening scenes from current Slovenian politics, with swastikas and church services. At the end, the picture completely disintegrates, with only the footage of the hen remaining, liberated from the media field/television. Animal righ...
Production: 1996
The work was made in the studio of the sculpture department at the Academy of Fine Arts. A hen appears in the studio and waddles across the room. The prevailing colours of the image are various shades of blue. The hen is caught in a sculpture installation with a television set screening scenes from current Slovenian politics, with swastikas and church services. At the end, the picture completely disintegrates, with only the footage of the hen remaining, liberated from the media field/television. Animal righ...
Damijan Kracina - Kracina TV (00:06:24)
Production: 1995
A hyper-realistic latex sculpture of the artist stands in the middle of a room in Kapelica Gallery, where the artist first presented the installation. The sculpture’s low pedestal is connected to seven monitors into which the figure gazes, while light boxes show photographs of cats run over by cars. The installation shows death doubled, or the absence of life. The cats are dead, and the statue, too, is lifeless. The images of dead cats not only draw attention to the cruel human attitude to animals and...
Production: 1995
A hyper-realistic latex sculpture of the artist stands in the middle of a room in Kapelica Gallery, where the artist first presented the installation. The sculpture’s low pedestal is connected to seven monitors into which the figure gazes, while light boxes show photographs of cats run over by cars. The installation shows death doubled, or the absence of life. The cats are dead, and the statue, too, is lifeless. The images of dead cats not only draw attention to the cruel human attitude to animals and...
Marko Peljhan - The Park of Culture (TV situation) (00:07:44)
Subtitle: part of Media in Media exhibition
Production: Projekt Atol, SCCA-Ljubljana, VPK, 1996
If television bombards us with information, then this TV situation explicitly shows it. Images of earths' surface and human, especially technological activities on it are described in double captions, which look like stock quotes and differ in language (English and Slovene) and speed. The first line is describing, the second is explaining. The TV situation can be understood as a cradle for somebody discovering the world. The textual material is the translation of Sun Tzu's The Art of War and the compendium...
Subtitle: part of Media in Media exhibition
Production: Projekt Atol, SCCA-Ljubljana, VPK, 1996
If television bombards us with information, then this TV situation explicitly shows it. Images of earths' surface and human, especially technological activities on it are described in double captions, which look like stock quotes and differ in language (English and Slovene) and speed. The first line is describing, the second is explaining. The TV situation can be understood as a cradle for somebody discovering the world. The textual material is the translation of Sun Tzu's The Art of War and the compendium...
Rok Sieberer Kuri - Bombo ob 12h (00:03:28, na vhs 197: 00:04:23)
Production: Media Teror, V.S. Video, Forum Ljubljana, 1995
One of the typical features of the author is the use of non-professional technology to show everyday reality. On the basis of daily reality he aims to form conclusions pointing to the insanity of modern man. Perhaps a solution cannot be reached merely through an artistic attitude, but rather through radical activity. (VD)
Production: Media Teror, V.S. Video, Forum Ljubljana, 1995
One of the typical features of the author is the use of non-professional technology to show everyday reality. On the basis of daily reality he aims to form conclusions pointing to the insanity of modern man. Perhaps a solution cannot be reached merely through an artistic attitude, but rather through radical activity. (VD)
Rok Sieberer Kuri - Technotime (00:30:11)
Production: Media Teror, 1999
Video is playing with abstract forms of coloured masses dancing on the screen and changing shapes. The artist uses found footages from television news reports that he digitally manipulated, he typically uses fast changes of scenes and fast rhythm of video editing.
Production: Media Teror, 1999
Video is playing with abstract forms of coloured masses dancing on the screen and changing shapes. The artist uses found footages from television news reports that he digitally manipulated, he typically uses fast changes of scenes and fast rhythm of video editing.
Rok Sieberer Kuri - Media Teror Chroma Quart Mix II (00:04:18)
Production: V.S. Video / Forum Ljubljana, 1998
Kratek video kolaž. Avtor se poigrava z lastno produkcijo in jo kombinira v novo celoto.
Production: V.S. Video / Forum Ljubljana, 1998
Kratek video kolaž. Avtor se poigrava z lastno produkcijo in jo kombinira v novo celoto.