Marko A. Kovačič - Song of Flesh and Image Was Made Body (00:15:56)
Production: ŠKUC - Forum / koprodukcija Marijan Osole - Max, 1985
The story of the narrative is based on the genre of crime fiction. The images are filled with citations from the history of art and cinema (Man Ray, Sergei Eisenstein) and are further stratified and multiplied. The dynamics of the image fraught with typical cinematic suspense is matched with the music full of suspense (Bernard Herrmann). (Source: DIVA)
DIVA war
29 results in works
Marko A. Kovačič - No More Heroes Any More (0:18:15)
Production: V.S. VIDEO/Forum Ljubljana, 1992
Video deals with the theme of war in a parodic and grotesque manner. With Chroma key procedure the two main protagonists or shall we say antagonists - evil and conniving political leaders are set inside a TV studio, where so called Royal game takes place. War battle metaphorically packed as a twisted game of chess, which sees real people as toys in the hands of malicious and greedy politics, is getting more and more insane and uncontrollable. Performative character of the video allows the actors to exaggera...
Production: V.S. VIDEO/Forum Ljubljana, 1992
Video deals with the theme of war in a parodic and grotesque manner. With Chroma key procedure the two main protagonists or shall we say antagonists - evil and conniving political leaders are set inside a TV studio, where so called Royal game takes place. War battle metaphorically packed as a twisted game of chess, which sees real people as toys in the hands of malicious and greedy politics, is getting more and more insane and uncontrollable. Performative character of the video allows the actors to exaggera...
Katja Šoltes, Emir Jelkić - How Do You Say Ćesma? / Kako se kaže fountain? (00:07:30)
Production: Ljudmila, Ljubljana in SCCA/pro.ba, Sarajevo, 2000
The video shows thoughts of a traveller and runner David Jones, who is discovering a war-stricken Sarajevo and tells the story of his endless travels. First the video follows the runner and surroundings through a window of a moving car. The shots at the end of the video are static and feature close-ups of the runner.
Production: Ljudmila, Ljubljana in SCCA/pro.ba, Sarajevo, 2000
The video shows thoughts of a traveller and runner David Jones, who is discovering a war-stricken Sarajevo and tells the story of his endless travels. First the video follows the runner and surroundings through a window of a moving car. The shots at the end of the video are static and feature close-ups of the runner.
Marko Peljhan - The Park of Culture (TV situation) (00:07:44)
Subtitle: part of Media in Media exhibition
Production: Projekt Atol, SCCA-Ljubljana, VPK, 1996
If television bombards us with information, then this TV situation explicitly shows it. Images of earths' surface and human, especially technological activities on it are described in double captions, which look like stock quotes and differ in language (English and Slovene) and speed. The first line is describing, the second is explaining. The TV situation can be understood as a cradle for somebody discovering the world. The textual material is the translation of Sun Tzu's The Art of War and the compendium...
Subtitle: part of Media in Media exhibition
Production: Projekt Atol, SCCA-Ljubljana, VPK, 1996
If television bombards us with information, then this TV situation explicitly shows it. Images of earths' surface and human, especially technological activities on it are described in double captions, which look like stock quotes and differ in language (English and Slovene) and speed. The first line is describing, the second is explaining. The TV situation can be understood as a cradle for somebody discovering the world. The textual material is the translation of Sun Tzu's The Art of War and the compendium...
Marko Peljhan - RSS Atol - Projection (00:58:03)
Production: Projekt Atol, 1993
The video works for EGORHYTHMS and ATOL were conceived as the integral part of these projects. They were thought of as pictures from the inner screens of actors, rhythmical images, which interplay with alchemical symbols and abstract visualisations of communication lines. For theL Egorhythm III video, the main motive is Slovene poet Srečko Kosovel's poem Kons 5, and the rss ATOL - projection ends with a photo sequence of Serbian policeman executioning a Muslim inhabitant of the town of Brčko during t...
Production: Projekt Atol, 1993
The video works for EGORHYTHMS and ATOL were conceived as the integral part of these projects. They were thought of as pictures from the inner screens of actors, rhythmical images, which interplay with alchemical symbols and abstract visualisations of communication lines. For theL Egorhythm III video, the main motive is Slovene poet Srečko Kosovel's poem Kons 5, and the rss ATOL - projection ends with a photo sequence of Serbian policeman executioning a Muslim inhabitant of the town of Brčko during t...
Mirko Simić - Anti Nazy Mix (00:18:02)
Production: V.S. Video / Forum, Strip Core & Bris, 1993
A collage of documentary shots of totalitarian regimes of various periods and places.
Production: V.S. Video / Forum, Strip Core & Bris, 1993
A collage of documentary shots of totalitarian regimes of various periods and places.
Mirko Simić - Anti Nazy (00:09:06)
Production: Bris & VS Video / Strip core, 1992
A collage of documentary shots of totalitarian regimes of various periods and places. (VD)
Production: Bris & VS Video / Strip core, 1992
A collage of documentary shots of totalitarian regimes of various periods and places. (VD)
Mirko Simić - Assimilate (00:08:18)
Production: VS VIDEO / Škuc - Forum Ljubljana, 1989
Video spot skupine Skinny Puppy. prizori destruktivnih vojnih misij so vpletene v prizore ljubljanskega koncerta skupine. Avtorju je uspelo zadržati kontekstualno koherentnost in je s tem tudi preispital okolje subkulture kot aktivnega in agresivnega ogovora na družbo.
Production: VS VIDEO / Škuc - Forum Ljubljana, 1989
Video spot skupine Skinny Puppy. prizori destruktivnih vojnih misij so vpletene v prizore ljubljanskega koncerta skupine. Avtorju je uspelo zadržati kontekstualno koherentnost in je s tem tudi preispital okolje subkulture kot aktivnega in agresivnega ogovora na družbo.
Rok Sieberer Kuri - Krimi krimič (00:01:21)
Production: V.S. - D.V., 1990
Posnetki figuric-igrač avtomobilčkov, majhnih avionov in vojakov, ki s pištolami merijo eden na drugega. Manipulacija z medijskimi, filmskimi podobami, ki jih avtor pogosto vključuje - akcijo prekine insert streljanja iz akcijskega filma. Figurica nato sede v avto in se odpelje.
Production: V.S. - D.V., 1990
Posnetki figuric-igrač avtomobilčkov, majhnih avionov in vojakov, ki s pištolami merijo eden na drugega. Manipulacija z medijskimi, filmskimi podobami, ki jih avtor pogosto vključuje - akcijo prekine insert streljanja iz akcijskega filma. Figurica nato sede v avto in se odpelje.
Zemira Alajbegović, Neven Korda - Autobus (00:11:10)
Production: TV Slovenija, 1993
The video starts with a graphic sign from which emerge images, and this procedure points to the fact that any documentary is but an artefact. The narrator searches through documents and reconstructs the life of Lela: in the Middle Ages she was accused of witchcraft; in the 20th century she finds herself in the midst of war, in the future she will leave the planet. Lela's individual destiny is being inscribed into the fate of humanity by means of layering the image; only television shots of the war in former...
Production: TV Slovenija, 1993
The video starts with a graphic sign from which emerge images, and this procedure points to the fact that any documentary is but an artefact. The narrator searches through documents and reconstructs the life of Lela: in the Middle Ages she was accused of witchcraft; in the 20th century she finds herself in the midst of war, in the future she will leave the planet. Lela's individual destiny is being inscribed into the fate of humanity by means of layering the image; only television shots of the war in former...
