Oliver Marčeta - Jesus von New Orleans (00:02:50)
Production:
White background with black wires forming a figure on it, tangling themselves and intertwining until the created character pins itself onto a cross like Jesus Christ, compose an expressive animation video work. The depth is strengthen by a shadow formed by the interspace between the wire and the background. The author reaches expressivity by manipulating the material in its rawness and economy.
DIVA movement
82 results in works
Duba Sambolec - Lights & Pipes (05:24)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
The authors put on the camera and film lights and pipes with one of them filming and the other holding her. The situation is entertaining for both of them, as we hear them laughing. The first one dictates hot the other should hold her in order for her to move up and film the lights and pipes. Movement of the hand held camera is impulsive, fast and improvised. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljublj...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
The authors put on the camera and film lights and pipes with one of them filming and the other holding her. The situation is entertaining for both of them, as we hear them laughing. The first one dictates hot the other should hold her in order for her to move up and film the lights and pipes. Movement of the hand held camera is impulsive, fast and improvised. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljublj...
Ema Kugler - Taiga (00:08:22)
Production: Forum Ljubljana & VPK, 1996
Video Taiga is made after eponymous performance carried out at the international festival of contemporary arts City of women in October 1995 in Ljubljana. The viewer enters a dark atmosphere, dictated by dramatic vocal-electronic music, threatening anthropomorphic and wax zoomorphic figures and the movement of the camera. When the author establishes the landscape, she inserts two wrestlers and a drowning woman into it, additionally increasing the suspense. As the dramaturgy reaches its peak, the set scene f...
Production: Forum Ljubljana & VPK, 1996
Video Taiga is made after eponymous performance carried out at the international festival of contemporary arts City of women in October 1995 in Ljubljana. The viewer enters a dark atmosphere, dictated by dramatic vocal-electronic music, threatening anthropomorphic and wax zoomorphic figures and the movement of the camera. When the author establishes the landscape, she inserts two wrestlers and a drowning woman into it, additionally increasing the suspense. As the dramaturgy reaches its peak, the set scene f...
Goran Devide - Sovražnik (0:04:28)
Production: Škuc-Forum, FV video, 1984
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video...
Production: Škuc-Forum, FV video, 1984
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video...
Marko A. Kovačič - Mirror Knows the Secret (00:02:34)
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests the modified image with greater dynamics and gives it the mark of experiment. The use of digital (mirror) effects allows for the reproduction of the same image in the rhythm of music. (Source: Videodokument) A short video project made for the TV show Auto-vis...
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests the modified image with greater dynamics and gives it the mark of experiment. The use of digital (mirror) effects allows for the reproduction of the same image in the rhythm of music. (Source: Videodokument) A short video project made for the TV show Auto-vis...
Borut Savski - Bowlfuls of Sound (00:03:34)
Production: 2008
Two sperical bowls (from the Dancers series) have simple motorics and a bit more complex sensorics. They are susceptible to the sound they hear, but they also coproduce the sound (compressed microphony). This is why the bowls are full of sound. They can see each other (infrared sensor) and then they change direction. This should allow for the bowls to slowly zigzag closer to each other, which doesn’t really interests us anymore, but for the bowls this may be defined as a motive (with humans it could b...
Production: 2008
Two sperical bowls (from the Dancers series) have simple motorics and a bit more complex sensorics. They are susceptible to the sound they hear, but they also coproduce the sound (compressed microphony). This is why the bowls are full of sound. They can see each other (infrared sensor) and then they change direction. This should allow for the bowls to slowly zigzag closer to each other, which doesn’t really interests us anymore, but for the bowls this may be defined as a motive (with humans it could b...
Vesna Čadež - Med vožnjo / During the Drive (0:02:19)
Production: 2007
Video is following a journey with a train. The author uses image to explore movement, surroundings, the game of fast and slower movement reflected on the traces of speed of the outer, natural occurrence. Video is deliberately made in black and white technique, which emphasizes the graphic appearance of the structures and traces of the journey. The author explores the eternal search of innumerable and unrepeatable possibilities of gazes through the window following each other in a story of journey through a...
Production: 2007
Video is following a journey with a train. The author uses image to explore movement, surroundings, the game of fast and slower movement reflected on the traces of speed of the outer, natural occurrence. Video is deliberately made in black and white technique, which emphasizes the graphic appearance of the structures and traces of the journey. The author explores the eternal search of innumerable and unrepeatable possibilities of gazes through the window following each other in a story of journey through a...
Vesna Čadež - Sencasvetloba / Shadowlight (0:01:25)
Production: 2007
Video shows light patterns following each other in certain sequences. Different perspectives of light and shadow in nature go from direct ones for example light shining through the leafs, the sky playing with the natural shapes, to the ones caused by different structures of man's living habitat.
Production: 2007
Video shows light patterns following each other in certain sequences. Different perspectives of light and shadow in nature go from direct ones for example light shining through the leafs, the sky playing with the natural shapes, to the ones caused by different structures of man's living habitat.
Uršula Berlot - Attractions (0:56:43)
Production: Uršula Berlot, 2005
Video has a simple concept, as it works like a primitive animation based on magnetism. The presence of some higher power is actualized indirectly, through a movement of small iron particles. Shapes that are formed by the movement of an invisible magnet are seen as a process of concretizing images. But concrete, suggestive shapes are never formed and therefore the viewer is left to his own imagination and brings these abstract forms to some personal space. (Source: DIVA)
Production: Uršula Berlot, 2005
Video has a simple concept, as it works like a primitive animation based on magnetism. The presence of some higher power is actualized indirectly, through a movement of small iron particles. Shapes that are formed by the movement of an invisible magnet are seen as a process of concretizing images. But concrete, suggestive shapes are never formed and therefore the viewer is left to his own imagination and brings these abstract forms to some personal space. (Source: DIVA)
Ana Čigon - Brezčasje / Timelessness (0:04:03)
Subtitle: (poklon gozdu) / (compliment to the forest)
Production: Plesni studio Intakt, 2008
Dance video presents a dance show in a completely authorial way adding segments to the mere documentation. Author uses detailed shots from the woods and nature in general. We see a combination of long static shots and hand held camera manipulated with different editing effects. Costume design: Mateja Benedetti; Lights: Jaka Šimec; Visual design: Ana Čigon, Nataša Tovirac; Choreography: Nataša Tovirac; Dancers: Maša Kagao Knez, Teja Reba, Nataša Tovirac.
Subtitle: (poklon gozdu) / (compliment to the forest)
Production: Plesni studio Intakt, 2008
Dance video presents a dance show in a completely authorial way adding segments to the mere documentation. Author uses detailed shots from the woods and nature in general. We see a combination of long static shots and hand held camera manipulated with different editing effects. Costume design: Mateja Benedetti; Lights: Jaka Šimec; Visual design: Ana Čigon, Nataša Tovirac; Choreography: Nataša Tovirac; Dancers: Maša Kagao Knez, Teja Reba, Nataša Tovirac.
