Duba Sambolec - Collectors #4 (12:02)
Subtitle: *Revisited*
Production: Duba Sambolec, 2003/2005
Paralelni sliki sta postavljeni na ozadje vojaškega vzorca. Na vsaki od projekcij je ena izmed performerk. Nataša Skušek skozi celoten video opravlja naporne vaje za telesno moč. Oblečena je v črno opravo, ki spominja na zaščitno obleko ameriških nogometašev. Enako obleko si Duba Sambolec počasi nadane in razlaga posamezne kose oprave, na primer: »Pas za zaščito genitalij«. Med oblačenjem sedi, kadi, pije in se pogovarja z nevidno osebo o z...
DIVA Costume
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16 results in works
Matevž Jerman, Peter Cerovšek - Ljubljana je Berlin (SBO) (03:18)
Production: SBO, 2021
By quoting well-known scenes from music videos, the video Ljubljana je Berlin (Ljubljana is Berlin) pays homage to the rich history of Slovenian music bands and the diverse visual and technological aesthetics of their videos from the beginning of the genre in the 1980s to the present day. Musical pop-cultural references are mixed with particular group scenes quoting scenes from TV reports of the early 1990s (from the time of the creation of the new state) in which certain people who today call themselv...
Production: SBO, 2021
By quoting well-known scenes from music videos, the video Ljubljana je Berlin (Ljubljana is Berlin) pays homage to the rich history of Slovenian music bands and the diverse visual and technological aesthetics of their videos from the beginning of the genre in the 1980s to the present day. Musical pop-cultural references are mixed with particular group scenes quoting scenes from TV reports of the early 1990s (from the time of the creation of the new state) in which certain people who today call themselv...
Agnes Momirski - siXren (verbum medicinae) (37:00)
Production: MGLC Ljubljana, 2020
siXren (verbum medicinae) project is inspired by models of ancient healing rhetorics and verbal formulas, which serve to establish a new relationship with (inner) nature in the coming era of posthumanity, and inform the current sonic imaginary in our techno-environment with poetic and healing sensibility. Ancient linguistic / sound patterns were considered as healing transformative and medicinal agents, and as the missing link between man and nature. Practices such as ancient Greek rhetorics, word magic,...
Production: MGLC Ljubljana, 2020
siXren (verbum medicinae) project is inspired by models of ancient healing rhetorics and verbal formulas, which serve to establish a new relationship with (inner) nature in the coming era of posthumanity, and inform the current sonic imaginary in our techno-environment with poetic and healing sensibility. Ancient linguistic / sound patterns were considered as healing transformative and medicinal agents, and as the missing link between man and nature. Practices such as ancient Greek rhetorics, word magic,...
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Agnes Momirski - NO. 4 (SONAR) (3:33)
Production: 2017
Music video for Sontag Shogun NO.4 (Sonar) from the Patterns For Resonant Space LP. In collaboration with Brencha (Brina Vidic - costume design).
Production: 2017
Music video for Sontag Shogun NO.4 (Sonar) from the Patterns For Resonant Space LP. In collaboration with Brencha (Brina Vidic - costume design).
Tatiana Kocmur - Alopecia areata (05:40)
Production: Translacija | Traslación, 2018
The video is a short edited version of a 45-minute performance in front of an audience, performed at the Pocket Theater Studio as part of the first edition of the TRANSLACIJA / TRASLACIÓN platform in 2018. The performance begins with the artist trapped in a textile cocoon, from which she slowly frees herself tearing holes in the fabric. When the fabric is almost completely thorn, she comes steps out of the cocoon. The artist has a shaved head and wears a sweater with accentuated holes. She puts on a...
Production: Translacija | Traslación, 2018
The video is a short edited version of a 45-minute performance in front of an audience, performed at the Pocket Theater Studio as part of the first edition of the TRANSLACIJA / TRASLACIÓN platform in 2018. The performance begins with the artist trapped in a textile cocoon, from which she slowly frees herself tearing holes in the fabric. When the fabric is almost completely thorn, she comes steps out of the cocoon. The artist has a shaved head and wears a sweater with accentuated holes. She puts on a...
Tatiana Kocmur - Avatara (39:48)
Production: Lezbična četrt, 2020
Video documentation of Avatara performance at the opening of the Gender Slipslope. Lesbian Quarter Festival Exhibition at the ŠKUC gallery in 2020.The artist stands motionless in the gallery space. She is wrapped and hung with various textiles and sprinkled with glitter and colored powder. She creates the impression of a living sculpture in space. Visitors walk past her and after about 20 minutes, the first interactions begin. Visitors remove layers of textiles and objects from the artist until she i...
Production: Lezbična četrt, 2020
Video documentation of Avatara performance at the opening of the Gender Slipslope. Lesbian Quarter Festival Exhibition at the ŠKUC gallery in 2020.The artist stands motionless in the gallery space. She is wrapped and hung with various textiles and sprinkled with glitter and colored powder. She creates the impression of a living sculpture in space. Visitors walk past her and after about 20 minutes, the first interactions begin. Visitors remove layers of textiles and objects from the artist until she i...
Tatiana Kocmur, Boštjan Čadež - Quintessence (24:06)
Production: Svetlobna gverila/Forum Ljubljana, 2020
Quintessence is an audio-visual performance that combines the intermedia practice of Boštjan Čadež and the performative body of Tatiana Kocmur. The performer's body is covered with LED lights that respond to her movement. The movement of the body with the help of sensors generates image and sound. A series of movements make up an animated image supported by a video projection. Quintessence discusses possible ways to embody in a world of technological progress. It offers reflections on modern...
Production: Svetlobna gverila/Forum Ljubljana, 2020
Quintessence is an audio-visual performance that combines the intermedia practice of Boštjan Čadež and the performative body of Tatiana Kocmur. The performer's body is covered with LED lights that respond to her movement. The movement of the body with the help of sensors generates image and sound. A series of movements make up an animated image supported by a video projection. Quintessence discusses possible ways to embody in a world of technological progress. It offers reflections on modern...
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Stealing Land (07:15)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Stealing Land Dr Xenia performs on the land of the former Rakuš mill in Celje, a textbook example of capital appetites for plots in good locations, which evict ideas of non-profit spaces for culture intended for common and public good. The fight for territory begins and ends with incantations of masked performers dressed in black business attires: "I'm stealing, you're stealing, we're all stealing." (Source: excerpt of the curatorial text by Vesna Bukovec, Ana Grobler and Sebasti...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Stealing Land Dr Xenia performs on the land of the former Rakuš mill in Celje, a textbook example of capital appetites for plots in good locations, which evict ideas of non-profit spaces for culture intended for common and public good. The fight for territory begins and ends with incantations of masked performers dressed in black business attires: "I'm stealing, you're stealing, we're all stealing." (Source: excerpt of the curatorial text by Vesna Bukovec, Ana Grobler and Sebasti...
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - The House of Cards (06:45)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
In the performance The House of Cards, Dr Xenia does not travel north or west by train, but in a south-easterly direction. On the route that led to Kumrovec in the previous country, but ends at the last station in front of the Croatian border in the new country, it tries to make a house out of cards. The impossible task is reminiscent of the inability to create safe life and home, which constantly elude refugees and migrants, as well as precarious workers of all ages, including cultural workers. At the end...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
In the performance The House of Cards, Dr Xenia does not travel north or west by train, but in a south-easterly direction. On the route that led to Kumrovec in the previous country, but ends at the last station in front of the Croatian border in the new country, it tries to make a house out of cards. The impossible task is reminiscent of the inability to create safe life and home, which constantly elude refugees and migrants, as well as precarious workers of all ages, including cultural workers. At the end...
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Man, Don't Get Angry (19:34)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
Man, Don't Get Angry is first and foremost a feminist response to the familiar image of (dressed) Marcel Duchamp and (naked) Eva Babitz's chess game from 1963. It is also a reference to the performance Mojca ärgere dich nicht, which was performed by Petja Grafenauer, Zoran Srdić Janežič, and Simon Macuh in 2013 at the Red Dawn festival with the aim of defending the use of nudity in works of art. Here, next to the dressed women, there is a half-naked man, who does not get to make a move during the ga...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
Man, Don't Get Angry is first and foremost a feminist response to the familiar image of (dressed) Marcel Duchamp and (naked) Eva Babitz's chess game from 1963. It is also a reference to the performance Mojca ärgere dich nicht, which was performed by Petja Grafenauer, Zoran Srdić Janežič, and Simon Macuh in 2013 at the Red Dawn festival with the aim of defending the use of nudity in works of art. Here, next to the dressed women, there is a half-naked man, who does not get to make a move during the ga...
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