Boštjan Jurečič - Televizijski prispevek (00:04:18)
Production: TV Slovenija, 2001
Prispevek TV Slovenija o videastu Roku Siebererju Kuriju!
DIVA article
3 results in works
Ana Čigon - Dear Ladies, Thank You (Kapelica Gallery) (00:05:06)
Subtitle: Digital performance
Production: Galerija Kapelica, 2011
DEAR LADIES, THANK YOU - Ljubljana (second version) Performance presented in Kapelica Gallery 2011 Idea, performance and technology: Ana Čigon Additional technical support and programming: Vasja Progar The performance Dear Ladies, Thank You critically addresses the issues of (in)visibility of women artists in the art world. Instead of addressing my critique directly to the public sphere, and instead of analysing statistical facts about the presence of women artists' works in contemporary art institutions,...
Subtitle: Digital performance
Production: Galerija Kapelica, 2011
DEAR LADIES, THANK YOU - Ljubljana (second version) Performance presented in Kapelica Gallery 2011 Idea, performance and technology: Ana Čigon Additional technical support and programming: Vasja Progar The performance Dear Ladies, Thank You critically addresses the issues of (in)visibility of women artists in the art world. Instead of addressing my critique directly to the public sphere, and instead of analysing statistical facts about the presence of women artists' works in contemporary art institutions,...
Ana Čigon - Dear Ladies, Thank You – Red Dawns (00:12:30)
Production: KUD Mreža, 2013
Dear Ladies, Thank You is an evolving performance that has been presented in several variations. The common thread that connects all versions is the discourse of the under-representation of women in art history, art theory, art institutions, and in the broader collective memory. The content and the visual aspect of the performance vary according to the context within which it is presented, and according to the gathered findings of previous performances. One of the issues that have become apparent in the pre...
Production: KUD Mreža, 2013
Dear Ladies, Thank You is an evolving performance that has been presented in several variations. The common thread that connects all versions is the discourse of the under-representation of women in art history, art theory, art institutions, and in the broader collective memory. The content and the visual aspect of the performance vary according to the context within which it is presented, and according to the gathered findings of previous performances. One of the issues that have become apparent in the pre...
