Media Teror, Rok Sieberer Kuri - Media Teror Chroma Quart Mix (mix II.) (00:03:39)
Production: Media Teror, 1998
Fast changing images of a city, TV recordings, nature and objects inside nature, which are completed with art forms by different editing techniques. Dynamic hand held camera shots are processed with overlaps and chroma key effect. The content is hidden in the gaps: in the symbolic forms and association leaps in the selection of the shots, atmospheres and surroundings. Synchronous image and sound make the work resemble a music video.

Media Teror, Rok Sieberer Kuri - Media Teror Croma Quart Mix (mix III.) (00:06:44)
Production: Media Teror, 1998
Hitro menjujoče podobe mesta, televizijskih posnetkov, narave in objektov v naravi, ki jih z različnimi montažnimi tehnikami dopolnjujejo likovne forme. Gre za prekrivanje in croma key, posnetki kamere so večinoma iz roke in so dinamični, izgleda da gre za naključno lovljenje materiala. Vsebina je skrita v vrzelih: simbolnih formah in asociacijskih preskokih izbire posnetkov, ambientov in okolja. Gmote posnetkov prehajajo in se kopičijo - prekrivanje v izbranih kompozicijah, ki so zelo likovne. Na vi...

Rok Sieberer Kuri - Dobrodošli (00:06:36)
Production: Media Teror, Forum Ljubljana, 1996
Welcome is a short experimental video film which combines computer graphics and video image. The resulting new picture produces a new and different vision and meaning. The product of metamorphosis leaves the viewer with his/her own understanding of the work. (VD)

Rok Sieberer Kuri - Chroma Quart Mix I (00:34:15)
Production: V.S. Video / Forum Ljubljana, 1997
The video collage has a firm structure defined in the scenario. Several videos with different basic messages, accompanied by wild and loud music, are combined into a peculiar, but unique story (A Bomb at Noon, Welcome, Chroma Qart Mix, Vivisection).

Rok Sieberer Kuri - Technotime (00:30:11)
Production: Media Teror, 1999
Video is playing with abstract forms of coloured masses dancing on the screen and changing shapes. The artist uses found footages from television news reports that he digitally manipulated, he typically uses fast changes of scenes and fast rhythm of video editing.

Mirko Simić - Parabola (00:35:28)
Production: VPK & Human Creative Net, 1997
Parabola is a short version of six hours long video performance in a club Gavioli Ambasy in Izola, Slovenia that the artist VJ Simo has performed at a live visual act. It is presenting a collage of numerous found fotages and documentary recordings from this tiny costal town. The video is interlaced with a rich electronic manipulation of image and patterns.

Mirko Simić - Anti Nazy Mix (00:18:02)
Production: V.S. Video / Forum, Strip Core & Bris, 1993
A collage of documentary shots of totalitarian regimes of various periods and places.

Mirko Simić - Passer By (00:04:20)
Production: Bris & VS VIDEO / Škuc - Forum Ljubljana, 1990
A multitude of moving images presenting everyday life from various viewing angles. Images of life vibrate in the rhythm of music by Sergej Kurjohin. Although dance is in the forefront of this video, this is not a video spot. (VD)

Mirko Simić - Back to the Bible (00:03:41)
Production: Bris, 1992
The author collects inserts from various sources: Eisenstein's Battleship Potemkin, Lang's Metropolis, Reggio's Koyanisquatsi, archive shots, etc. Editing by the repetition of images erases their source, and the editing of associations; builds a link between the spectators view and the title: the creation of images as a ritual and the return to primeval man. (VD)

Mirko Simić - Positive Connection II (00:03:20)
Production: Bris & V.S. Video / Forum, Ljubljana, 1990, 1990
A fleeting glance and noise bring us into a space of consciousness where the real and the abstract unite on the border of perception.