Marko A. Kovačič - Naprej v preteklost / Forth Into the Past (0:09:30)
Production: Forum Ljubljana, VPK, 1995
The video deals with our understanding of the distant future, presented through a concrete example of the 23rd-century archaeology. A narration of a professor archaeologist leads us through the story as he guides his student through one of the main archaeological sites in the City of Catastropolis, where so-called Plastoses, who (will) survived the atomic catastrophe in 2223 live. These half-organic half-mechanical creatures form a comprehensive civilisation of Plastos, which is the author's subject in a se...
DIVA consumerism
55 results in works
Media Teror, Rok Sieberer Kuri - Media Teror Croma Quart Mix (mix III.) (00:06:44)
Production: Media Teror, 1998
Hitro menjujoče podobe mesta, televizijskih posnetkov, narave in objektov v naravi, ki jih z različnimi montažnimi tehnikami dopolnjujejo likovne forme. Gre za prekrivanje in croma key, posnetki kamere so večinoma iz roke in so dinamični, izgleda da gre za naključno lovljenje materiala. Vsebina je skrita v vrzelih: simbolnih formah in asociacijskih preskokih izbire posnetkov, ambientov in okolja. Gmote posnetkov prehajajo in se kopičijo - prekrivanje v izbranih kompozicijah, ki so zelo likovne. Na vi...
Production: Media Teror, 1998
Hitro menjujoče podobe mesta, televizijskih posnetkov, narave in objektov v naravi, ki jih z različnimi montažnimi tehnikami dopolnjujejo likovne forme. Gre za prekrivanje in croma key, posnetki kamere so večinoma iz roke in so dinamični, izgleda da gre za naključno lovljenje materiala. Vsebina je skrita v vrzelih: simbolnih formah in asociacijskih preskokih izbire posnetkov, ambientov in okolja. Gmote posnetkov prehajajo in se kopičijo - prekrivanje v izbranih kompozicijah, ki so zelo likovne. Na vi...
Rok Sieberer Kuri - Chroma Quart Mix I (00:34:15)
Production: V.S. Video / Forum Ljubljana, 1997
The video collage has a firm structure defined in the scenario. Several videos with different basic messages, accompanied by wild and loud music, are combined into a peculiar, but unique story (A Bomb at Noon, Welcome, Chroma Qart Mix, Vivisection).
Production: V.S. Video / Forum Ljubljana, 1997
The video collage has a firm structure defined in the scenario. Several videos with different basic messages, accompanied by wild and loud music, are combined into a peculiar, but unique story (A Bomb at Noon, Welcome, Chroma Qart Mix, Vivisection).
Rok Sieberer Kuri - Media Teror Chroma Quart Mix II (00:04:18)
Production: V.S. Video / Forum Ljubljana, 1998
Kratek video kolaž. Avtor se poigrava z lastno produkcijo in jo kombinira v novo celoto.
Production: V.S. Video / Forum Ljubljana, 1998
Kratek video kolaž. Avtor se poigrava z lastno produkcijo in jo kombinira v novo celoto.
Rok Sieberer Kuri, Media Teror - Kriza (00:02:54)
Production: V.S. Video / Škuc - Forum, Ljubljana, 1989
Kuri, the actor in the video, faces the aggression of the TV medium. He compares the images of himself to media information, he yields to their influence; the multiplication of information brings him to a crisis. (VD)
Production: V.S. Video / Škuc - Forum, Ljubljana, 1989
Kuri, the actor in the video, faces the aggression of the TV medium. He compares the images of himself to media information, he yields to their influence; the multiplication of information brings him to a crisis. (VD)
Oliver Marčeta - Kaffehaus (00:05:24)
Production:
Liki se izrisujejo kot bela kreda na rjavi grobi podlagi, ki se razrezuje in sestavlja v neko urbano zgodbo z gostilnami in vinom, kjer nimajo kave... Naposled jo najde v Kavarni. Avtor animacijo ustvarja s nenehenim nalaganjem slojev, ki nadgrajujejo in spreminjajo prvotno risbo. Zanimivost vsebine je v stalni variaciji risarske površine - prestopi belega ozadja in črne risbe v črno ozadje in belo risbo.Material, ki omogoča risbo, je pravzaprav prav mleta kava.
Production:
Liki se izrisujejo kot bela kreda na rjavi grobi podlagi, ki se razrezuje in sestavlja v neko urbano zgodbo z gostilnami in vinom, kjer nimajo kave... Naposled jo najde v Kavarni. Avtor animacijo ustvarja s nenehenim nalaganjem slojev, ki nadgrajujejo in spreminjajo prvotno risbo. Zanimivost vsebine je v stalni variaciji risarske površine - prestopi belega ozadja in črne risbe v črno ozadje in belo risbo.Material, ki omogoča risbo, je pravzaprav prav mleta kava.
Oliver Marčeta - Jazz bre (00:02:58)
Production:
Zeleni znak za izhod gosti fotografije manekenk, ki v množici ena za drugo postajajo številne in razosebljene. Video površina je plitva in spominja na kolaž. Žensko telo je potrošniška roba, ki zaradi obilja izgubi vrednost. Avtorjeva kritična misel je zreducirana na znak za izhod.
Production:
Zeleni znak za izhod gosti fotografije manekenk, ki v množici ena za drugo postajajo številne in razosebljene. Video površina je plitva in spominja na kolaž. Žensko telo je potrošniška roba, ki zaradi obilja izgubi vrednost. Avtorjeva kritična misel je zreducirana na znak za izhod.
Mirko Simić - Out of Memory (00:04:47)
Production: Bris, VPK, V.S. Video / Forum & KUD Naprej Idrija, 1994
Precise editing and sharp cuts stress the sense of hopelessness and isolation of the world. The main hero moves through urban areas, but finally finds himself in the midst of the 'endlessness' of nature, none the less strange and unpredictable. Dreams of a different life are complemented by graphics and computer animation, additionally perfecting a visually rich and conceptually 'old-fashioned' video. (VD)
Production: Bris, VPK, V.S. Video / Forum & KUD Naprej Idrija, 1994
Precise editing and sharp cuts stress the sense of hopelessness and isolation of the world. The main hero moves through urban areas, but finally finds himself in the midst of the 'endlessness' of nature, none the less strange and unpredictable. Dreams of a different life are complemented by graphics and computer animation, additionally perfecting a visually rich and conceptually 'old-fashioned' video. (VD)
Apolonija Šušteršič - How To Make Orange Juice I (0:02:08)
Production: 1998
Podroben potek priprave naravnega pomarančnega soka v domači kuhinji. Notranjost Juice Bara sestavljajo zelene plošče, ki služijo kot 11-metrski bar in barski stoli, oranžne stene in tla, mize in stoli, ki jih je oblikoval Arne Vehovar za Magis, naslovni logotip Irene Woelle, skodelice z odtisnjenim logotipom, sokovniki, posode, pomaranče, hladilnik in koši za smeti.
Production: 1998
Podroben potek priprave naravnega pomarančnega soka v domači kuhinji. Notranjost Juice Bara sestavljajo zelene plošče, ki služijo kot 11-metrski bar in barski stoli, oranžne stene in tla, mize in stoli, ki jih je oblikoval Arne Vehovar za Magis, naslovni logotip Irene Woelle, skodelice z odtisnjenim logotipom, sokovniki, posode, pomaranče, hladilnik in koši za smeti.
Apolonija Šušteršič - Production of Desire (0:04:19)
Production: Rijksakademie van beeldende kunsten Amsterdam, 1997
The video clip relates handbags and shoes produced by world famous fashion companies (Armani, Gucci, etc.) to a brick of wax produced by Apolonija d.o.o. The material of the brick reveals the recycling procedure that characterises the entire artist's production. The video clip advertisement forms part of an installation placed in a prestigious shop. (VD)
Production: Rijksakademie van beeldende kunsten Amsterdam, 1997
The video clip relates handbags and shoes produced by world famous fashion companies (Armani, Gucci, etc.) to a brick of wax produced by Apolonija d.o.o. The material of the brick reveals the recycling procedure that characterises the entire artist's production. The video clip advertisement forms part of an installation placed in a prestigious shop. (VD)
