Damijan Kracina, Katarina Toman Kracina - Marmelada / Marmalade (00:03:37)
Production: 2004
Are you familiar with that tingling feeling somewhere that emerges around the root of your tongue when you eat marmalade without bread and butter? The marmalade sticks to your palate and its taste lingers in your mouth for a long time. It's that special home-made marmalade, saturated with sugar. In the video Marmalade, we get to know yet another, truly practical usage of that sweet mélange. In some parts, they once used to spread it on the tiles, which were keeping the heat of the wooden stove apart f...
DIVA dialogue
40 results in works
Andrej Lupinc - Odvrženi (00:42:42)
Subtitle: Adaptacija gledališke igre Roberto Zucco
Production: TV Slovenija, 1997
The story of a tourist who gets lost in a South American metropolis. He wanders into a dangerous suburb, where he meets a strange family and Roberto Zucco - the adventurer, poet and murderer.
Subtitle: Adaptacija gledališke igre Roberto Zucco
Production: TV Slovenija, 1997
The story of a tourist who gets lost in a South American metropolis. He wanders into a dangerous suburb, where he meets a strange family and Roberto Zucco - the adventurer, poet and murderer.
Alenka Pirman, Maja Šubic - Ajiaco (0:05:15)
Production: Ljudmila, 1998
In this video by Alenka Pirman and Maja Šubic, the artists present the traditional Colombian dish ajiaco and through photographs describe the land and culture in which it originates. Adhering strictly to the cooking show genre, they set about preparing a dish that, from now on, we too can make for ourselves in Slovenia. A certain irony is audible in what the artists say, although the tone of their speech is never less than proper. At the end of the video they enjoy the ajiaco with the popular singer Ja...
Production: Ljudmila, 1998
In this video by Alenka Pirman and Maja Šubic, the artists present the traditional Colombian dish ajiaco and through photographs describe the land and culture in which it originates. Adhering strictly to the cooking show genre, they set about preparing a dish that, from now on, we too can make for ourselves in Slovenia. A certain irony is audible in what the artists say, although the tone of their speech is never less than proper. At the end of the video they enjoy the ajiaco with the popular singer Ja...
Mirko Simić - Parfum de la terre / Vonj po zemlji (00:25:02)
Production: VPK, KUD Etno karavana, 1997
The meeting of gipsies in Southern France.
Production: VPK, KUD Etno karavana, 1997
The meeting of gipsies in Southern France.
Apolonija Šušteršič - (Cre)Action Directe (0:13:57)
Subtitle: Intervju z Riek van der Kerchove
Production: 1998
Pogovor z ustvarjalcem in producentom Rickom van der Kerchovom. Kamera ne snema intervjujanca, ampak spremlja dogajanje v skoraj preznem baru v Luxemburgu. Pogovor je bil uporabljen za potrebe festivala Manifesta.
Subtitle: Intervju z Riek van der Kerchove
Production: 1998
Pogovor z ustvarjalcem in producentom Rickom van der Kerchovom. Kamera ne snema intervjujanca, ampak spremlja dogajanje v skoraj preznem baru v Luxemburgu. Pogovor je bil uporabljen za potrebe festivala Manifesta.
Miha Vipotnik - Path of Crazy Wisdom (09:20)
Production: CalArts, Los Angeles, 1988/1996
A short dramatic story in the form of an interview with the sculptor Eric Orr about his life and work in the sixties and seventies contucted by the musician Jim Rohing. The interviewer bombards his subject with questions, almost simulating a police investigation. The artist defends his positions and concepts. At another level, the story narrates the imaginative disappearance of Johnny. Citations from Orr's book are inscribed simultaneously onto the screen, presenting to the viewer the double dynamics of the...
Production: CalArts, Los Angeles, 1988/1996
A short dramatic story in the form of an interview with the sculptor Eric Orr about his life and work in the sixties and seventies contucted by the musician Jim Rohing. The interviewer bombards his subject with questions, almost simulating a police investigation. The artist defends his positions and concepts. At another level, the story narrates the imaginative disappearance of Johnny. Citations from Orr's book are inscribed simultaneously onto the screen, presenting to the viewer the double dynamics of the...
Duba Sambolec - Airport 1 (29:41)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Duba Sambolec - Airport 2 (31:46)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Duba Sambolec - Questioning, Answering (58:25)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999
In the video we witness an interrogation of a woman with a blind over her eyes. Strict and somewhat violet interrogation is executed by the second female character. Eventually it becomes clear, that shots of both people were merged in postproduction. The viewer is therefore manipulated as is the video, and at the same time he/she takes on the role of an accomplice, as he/she accepts the game of the interrogator. NoHomeVideos© are 14 video performances, first presented at the International Festival of Co...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999
In the video we witness an interrogation of a woman with a blind over her eyes. Strict and somewhat violet interrogation is executed by the second female character. Eventually it becomes clear, that shots of both people were merged in postproduction. The viewer is therefore manipulated as is the video, and at the same time he/she takes on the role of an accomplice, as he/she accepts the game of the interrogator. NoHomeVideos© are 14 video performances, first presented at the International Festival of Co...
Borut Savski - Bowlfuls of Sound (00:03:34)
Production: 2008
Two sperical bowls (from the Dancers series) have simple motorics and a bit more complex sensorics. They are susceptible to the sound they hear, but they also coproduce the sound (compressed microphony). This is why the bowls are full of sound. They can see each other (infrared sensor) and then they change direction. This should allow for the bowls to slowly zigzag closer to each other, which doesn’t really interests us anymore, but for the bowls this may be defined as a motive (with humans it could b...
Production: 2008
Two sperical bowls (from the Dancers series) have simple motorics and a bit more complex sensorics. They are susceptible to the sound they hear, but they also coproduce the sound (compressed microphony). This is why the bowls are full of sound. They can see each other (infrared sensor) and then they change direction. This should allow for the bowls to slowly zigzag closer to each other, which doesn’t really interests us anymore, but for the bowls this may be defined as a motive (with humans it could b...
