Oliver Marčeta - Avantgarde film (00:05:18)
Production:
Računalniško producirane črte - vertikalne in horizontalne, sinhrono z glasbo prekrivajo površino ekrana. Glasba spominja na odrezavo pihanje vetra, ki je silovito in se stopnjuje, črte pa se z njo redčijo in gostijo - ekspresivno.
DIVA distorsion
32 results in works
Miha Vipotnik - Don't Panic (06:30)
Production: TV Koper Capodistria & Obalne galerije Piran, 1984
The video follows a friendly conversation between the author and a painter and philosopher Andraž Šalamun. It alters the succession of events, thus manipulating the text and creating a complex narrative without logic and continuity. The flow of impulses and associations is reminiscent of the performance and automatic action-writing of poetry. (Source: Videodokument)
Production: TV Koper Capodistria & Obalne galerije Piran, 1984
The video follows a friendly conversation between the author and a painter and philosopher Andraž Šalamun. It alters the succession of events, thus manipulating the text and creating a complex narrative without logic and continuity. The flow of impulses and associations is reminiscent of the performance and automatic action-writing of poetry. (Source: Videodokument)
Andrea Knezović - Liminal (00:11:00)
Production: 2013
Liminal is a video installation that deals with the transformational nature of language and communication through symbolic aspects. The project started as an experiment in which artist involved people coming from different national and linguistic backgrounds; from Sweden, France, UK to Serbia and United States. She gave them an assignment - to write a short story of their choosing, true or fictional, and focus on memorizing its general content. Then they were instructed to elaborate these stories in imagina...
Production: 2013
Liminal is a video installation that deals with the transformational nature of language and communication through symbolic aspects. The project started as an experiment in which artist involved people coming from different national and linguistic backgrounds; from Sweden, France, UK to Serbia and United States. She gave them an assignment - to write a short story of their choosing, true or fictional, and focus on memorizing its general content. Then they were instructed to elaborate these stories in imagina...
Zemira Alajbegović - Vortex (00:04:04)
Production: TV Slovenija, 2000
Music video of Iztok Turk (DJ plasma). Vortex is a video limited to rigid symmetrical space which nevertheless shows an extraordinary abundance of shapes. This compositional matrix with a simple concept contains affluence of visual contents connected to the utopia present in the music.
Production: TV Slovenija, 2000
Music video of Iztok Turk (DJ plasma). Vortex is a video limited to rigid symmetrical space which nevertheless shows an extraordinary abundance of shapes. This compositional matrix with a simple concept contains affluence of visual contents connected to the utopia present in the music.
son:DA, Erinc Seymen - Performance for a Poem 2 (00:08:48)
Subtitle: Maribor
Production: 2006
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the video image...
Subtitle: Maribor
Production: 2006
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the video image...
Maja Smrekar - Repeating Coincidence (00:03:42)
Production: Smrekar, Maja, 2009
The main character in the video is a dance performer situated in media environment with splashing saturated colours, like a woman enclosed by the media wall. The speed and braking of the image represents the dancer’s nervous movements in the space that create an emotional tension. The sound composed by Borut Savski intensifies the fragmented and nervous motions and determines visual coordinates. The entire sound and visual imagery is saturated, repetitive and fragmented, composed by numerous cut frames. Th...
Production: Smrekar, Maja, 2009
The main character in the video is a dance performer situated in media environment with splashing saturated colours, like a woman enclosed by the media wall. The speed and braking of the image represents the dancer’s nervous movements in the space that create an emotional tension. The sound composed by Borut Savski intensifies the fragmented and nervous motions and determines visual coordinates. The entire sound and visual imagery is saturated, repetitive and fragmented, composed by numerous cut frames. Th...
son:DA, Erinc Seymen - Performance for a Poem 1 (00:16:28)
Subtitle: Istanbul
Production:
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the...
Subtitle: Istanbul
Production:
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the...
Zoran Srdić Janežič - Testing (00:07:08)
Production: Zavod za sodobne umetnosti in kulture Gulag, 2010
Kompilacija različnih iz gline animiranih zgodb. Pristop avtorja je lahkoten in je podoben improvizaciji. Narativnost sledi določenemu ritmu, vendar zgodbe niso močno povezane v celoto. Sam naslov asociira na poskuse različnih kiparskih in animacijskih rešitev. Testing deluje kot nabor prizorov prototipov, ki napovedujejo neko večjo zgodbo, ki se mora šele realizirati. K temu prispevajo tudi občasni kratki prizori avtorjevih rok, ki določajo kadre.
Production: Zavod za sodobne umetnosti in kulture Gulag, 2010
Kompilacija različnih iz gline animiranih zgodb. Pristop avtorja je lahkoten in je podoben improvizaciji. Narativnost sledi določenemu ritmu, vendar zgodbe niso močno povezane v celoto. Sam naslov asociira na poskuse različnih kiparskih in animacijskih rešitev. Testing deluje kot nabor prizorov prototipov, ki napovedujejo neko večjo zgodbo, ki se mora šele realizirati. K temu prispevajo tudi občasni kratki prizori avtorjevih rok, ki določajo kadre.
Aleksandra Saška Gruden - Self-portrait (00:01:54)
Production: 2001
The video shows the artist wearing a see through mask, which partially covers and deforms her face. A slow rotating camera and the disruption created by the movement add a grotesque and secretive atmosphere to the recording. The black-and-white video is occasionally covered by the disruptions in colour spots, which bring a premonition of a crossing into another reality. (Source: A. S. Gruden)
Production: 2001
The video shows the artist wearing a see through mask, which partially covers and deforms her face. A slow rotating camera and the disruption created by the movement add a grotesque and secretive atmosphere to the recording. The black-and-white video is occasionally covered by the disruptions in colour spots, which bring a premonition of a crossing into another reality. (Source: A. S. Gruden)
Tanja Vujinović - W-Diptych (00:03:00)
Production: Ultramono, 2014
The ether landscape is an infinite playground of signals and static noise between radio channels, transmissions between various emitters such as electronic toys or gadgets, even large telecommunication systems. It is an enigmatic space, full of invisible connections between devices and people, a space usually hidden and invisible. Positioned within this space, mutating fields of fluxes, drafts of vibrations and temporary field trajectories warp in infinity. (Source: Tanja Vujinović)
Production: Ultramono, 2014
The ether landscape is an infinite playground of signals and static noise between radio channels, transmissions between various emitters such as electronic toys or gadgets, even large telecommunication systems. It is an enigmatic space, full of invisible connections between devices and people, a space usually hidden and invisible. Positioned within this space, mutating fields of fluxes, drafts of vibrations and temporary field trajectories warp in infinity. (Source: Tanja Vujinović)
