Rok Sieberer Kuri - Kres II. Razstava (00:01:02)
Production: V.S. - D.V., 1990
Posnetki nočnega kresa in ples okoli ognja. Kamera zmedeno beleži telo v soju ognjenih plamenov.
DIVA fire
5 results in works
Nataša Prosenc Stearns - Crossing (0:04:59)
Production: Kanalya Pictures, 2005
Video Crossing contains different layers of recordings. A close-up of a face is covered with a layer of tracks of fire and water. The combination gives impressions of the layers shading and blending. The viewer faces a sequence of video projections moving from realistic to abstract. Installation is a display of transformation attracting the viewer to change, metamorphosis and decomposing of images.
Production: Kanalya Pictures, 2005
Video Crossing contains different layers of recordings. A close-up of a face is covered with a layer of tracks of fire and water. The combination gives impressions of the layers shading and blending. The viewer faces a sequence of video projections moving from realistic to abstract. Installation is a display of transformation attracting the viewer to change, metamorphosis and decomposing of images.
Mark Požlep - Is Anger Substitude for Love (0:08:15)
Production: 2010
Video je zasnovan kot minimalistična interakcija majhnih svetlobnih teles na temnen zaslonu, ki se repetitivno približujeta in oddaljujeta. Ob vsakem zbližanju, kjer pa še vedno ostaneta na varni ditanci, izmenjata nekaj besed, ki skušajo orisati in umestiti njun abstrahiran odnos. Po koncu kratkega, napetega in pomenljivega pogovora, ki se navezuje na kompleksnost medsebojnih (ljubezenskih) odnosov, začno skozi temo švigati ognjeni izstrelki ter z vztrajnostjo uspejo zanetiti požar. Iz teme se izvi...
Production: 2010
Video je zasnovan kot minimalistična interakcija majhnih svetlobnih teles na temnen zaslonu, ki se repetitivno približujeta in oddaljujeta. Ob vsakem zbližanju, kjer pa še vedno ostaneta na varni ditanci, izmenjata nekaj besed, ki skušajo orisati in umestiti njun abstrahiran odnos. Po koncu kratkega, napetega in pomenljivega pogovora, ki se navezuje na kompleksnost medsebojnih (ljubezenskih) odnosov, začno skozi temo švigati ognjeni izstrelki ter z vztrajnostjo uspejo zanetiti požar. Iz teme se izvi...
Andreja Džakušič - Development of Compassion (00:17:45)
Subtitle: Embroidery and Burning
Production: 2007
Photo and video documentation of the performance Embroidery and Burning in the Chapel of St. Elizabeth in Celje in 2007. Developing Compassion is a project made of series of performances, installations and photographs, which lasted two years (2006-2008). It represents the artist's way of noting the pain that she has faced with the illness, dying and final passing away of her father. In the first of three performances she symbolically let go of her emotional states, which she has stitched as pain, sa...
Subtitle: Embroidery and Burning
Production: 2007
Photo and video documentation of the performance Embroidery and Burning in the Chapel of St. Elizabeth in Celje in 2007. Developing Compassion is a project made of series of performances, installations and photographs, which lasted two years (2006-2008). It represents the artist's way of noting the pain that she has faced with the illness, dying and final passing away of her father. In the first of three performances she symbolically let go of her emotional states, which she has stitched as pain, sa...
Sara Bezovšek - www.s-n-d.si (13:39)
Production: Sara Bezovšek, 2021
A screen recording of the webpage www.s-n-d.si. Sara Bezovšek was drawn to various apocalyptic scenarios that could lead to the end of the world as we know it. She collaged visual material, found online in the form of short videos, memes, photographs, gifs, emoticons and various external links, with her own works, thereby creating a complex and visually saturated narrative that follows typical Hollywood film premises, and takes the viewer from an idyllic situation to scenes of natural catastrophes, g...
Production: Sara Bezovšek, 2021
A screen recording of the webpage www.s-n-d.si. Sara Bezovšek was drawn to various apocalyptic scenarios that could lead to the end of the world as we know it. She collaged visual material, found online in the form of short videos, memes, photographs, gifs, emoticons and various external links, with her own works, thereby creating a complex and visually saturated narrative that follows typical Hollywood film premises, and takes the viewer from an idyllic situation to scenes of natural catastrophes, g...
