Marko Peljhan - LADOMIR-ФАКТУРА: FIRST SURFACE-MICROLAB V1.0 (23:02)
Production: Projekt Atol, A Team of Three Production, Aster, 1994
Računalniška video animacija v živo je bila zamišljena kot gledališka igra brez igralcev v kibernetičnem prostoru. S podobno idejo je Vasilij Kandinski leta 1928 na podlagi skladbe Modesta Mussorgskega Slike z rastave (Bilder einer Ausstellung) zasnoval programsko gledališko predstavo, ki je bila docela sestavljena iz mehaniziranih slik in objektov brez igralcev. Video animacija je bila pripravljena, modelirana in rendrirana s pomočjo programa, ki so ga posebej napisali z oro...
DIVA simulation
10 results in works
Borut Savski - Bowlfuls of Sound (00:03:34)
Production: 2008
Two sperical bowls (from the Dancers series) have simple motorics and a bit more complex sensorics. They are susceptible to the sound they hear, but they also coproduce the sound (compressed microphony). This is why the bowls are full of sound. They can see each other (infrared sensor) and then they change direction. This should allow for the bowls to slowly zigzag closer to each other, which doesn’t really interests us anymore, but for the bowls this may be defined as a motive (with humans it could b...
Production: 2008
Two sperical bowls (from the Dancers series) have simple motorics and a bit more complex sensorics. They are susceptible to the sound they hear, but they also coproduce the sound (compressed microphony). This is why the bowls are full of sound. They can see each other (infrared sensor) and then they change direction. This should allow for the bowls to slowly zigzag closer to each other, which doesn’t really interests us anymore, but for the bowls this may be defined as a motive (with humans it could b...
Zemira Alajbegović - Marko Peljhan's Invisible Territory (00:49:12)
Production: RTV Slovenija, 2007
Marko Peljhan's Invisible Territory is a documentary on multi media-artist Marko Peljhan and his project Makrolab, a mobile artistic and scientific laboratory that travels around the world. It was based in Scotland, Australia, Slovenia, USA. Now preparations are being made to move it to the Arctic and Antarctic. In Makrolab jointly work artists from all over the world, they analyze signals and the environment, their mission is to create new, critical art.
Production: RTV Slovenija, 2007
Marko Peljhan's Invisible Territory is a documentary on multi media-artist Marko Peljhan and his project Makrolab, a mobile artistic and scientific laboratory that travels around the world. It was based in Scotland, Australia, Slovenia, USA. Now preparations are being made to move it to the Arctic and Antarctic. In Makrolab jointly work artists from all over the world, they analyze signals and the environment, their mission is to create new, critical art.
Luka Dekleva, Luka Prinčič - Singing Bizovik Bridge (00:04:07)
Production: Kapelica, Codeep. KinoDvor, 2008
The authors created new contents and techniques by manipulating video and audio recordings of a bridge. In this video performance the sound is coming from the microphones mounted on cables and construction of the bridge. Thus, Jodi Rose, Cym and Luka Prinčič combined the recorded sound material in a live event and a video of the bridge that has been simultaneously manipulated by Luka Dekleva. Artists escalate the presence of environmental sound, in order to expand the importance of sound architecture as t...
Production: Kapelica, Codeep. KinoDvor, 2008
The authors created new contents and techniques by manipulating video and audio recordings of a bridge. In this video performance the sound is coming from the microphones mounted on cables and construction of the bridge. Thus, Jodi Rose, Cym and Luka Prinčič combined the recorded sound material in a live event and a video of the bridge that has been simultaneously manipulated by Luka Dekleva. Artists escalate the presence of environmental sound, in order to expand the importance of sound architecture as t...
Polonca Lovšin - Solarna kolekcija / The Solar Collection (0:00:51)
Production: Lovšin, Polonca, 2002
Projekt z naslovom 'Solarna kolekcija' predstavlja naprave, ki izkoriščajo sončno energijo za svoje delovanje na način preproste proto-znanosti ter tako nakazujejo možnosti varčevanja z energijo na mikroravni. Avtorica se postavlja v igrane situacije v javnem prostoru, kjer praktično prikazuje delovanje naprav za polnjenje mobilnega telefona, napajanje prenosnega radijskega sprejemnika in ventilatorja za poletno hlajenje. Video, ki je v funkciji dokumentiranja praktične rabe naprav v resnične...
Production: Lovšin, Polonca, 2002
Projekt z naslovom 'Solarna kolekcija' predstavlja naprave, ki izkoriščajo sončno energijo za svoje delovanje na način preproste proto-znanosti ter tako nakazujejo možnosti varčevanja z energijo na mikroravni. Avtorica se postavlja v igrane situacije v javnem prostoru, kjer praktično prikazuje delovanje naprav za polnjenje mobilnega telefona, napajanje prenosnega radijskega sprejemnika in ventilatorja za poletno hlajenje. Video, ki je v funkciji dokumentiranja praktične rabe naprav v resnične...
Polonca Lovšin - Sama za božič / On My Own for Christmas (0:01.09)
Production: Lovšin, Polonca, 2006
Video je zgolj prikazni del širše zastavljenega projekta z naslovom 'Dynamo Christmas Tree', ki predstavlja napravo za samostojno napajanje okrasnih luči na božičnem dreveščku; avtorica luči prižiga in ugaša ob pomoči dinama, ki ga drži rokah. Video delo 'On My Own on Christmas' prikazuje avtorico, kako pleše v gozdu poleg majhnega božičnega dreveščka in prepeva pesem 'Last Christmas' skupine Wham in vzpostavlja neposredno asociacijo na ta glasbeni video...
Production: Lovšin, Polonca, 2006
Video je zgolj prikazni del širše zastavljenega projekta z naslovom 'Dynamo Christmas Tree', ki predstavlja napravo za samostojno napajanje okrasnih luči na božičnem dreveščku; avtorica luči prižiga in ugaša ob pomoči dinama, ki ga drži rokah. Video delo 'On My Own on Christmas' prikazuje avtorico, kako pleše v gozdu poleg majhnega božičnega dreveščka in prepeva pesem 'Last Christmas' skupine Wham in vzpostavlja neposredno asociacijo na ta glasbeni video...
Tanja Vujinović - Mindfulness (00:10:14)
Production: Ultramono, 2015
Mindfulness is a record of one day of meditation in the otherwise noisy, crowded place of online social gaming environment Second Life. As principles of fashionable mindfulness dictate, the avatar is trying to be aware of its surroundings, to breath-in the atmosphere, to remain in the moment of digital blissfulness. (Source: Tanja Vujinović)
Production: Ultramono, 2015
Mindfulness is a record of one day of meditation in the otherwise noisy, crowded place of online social gaming environment Second Life. As principles of fashionable mindfulness dictate, the avatar is trying to be aware of its surroundings, to breath-in the atmosphere, to remain in the moment of digital blissfulness. (Source: Tanja Vujinović)
Tanja Vujinović - Universal Objects: Explosions (00:16:00)
Production: Ultramono, 2015-2017
Universal Objects: Explosions is a work containing four scenes of exploding objects. Only for a brief fragment of time are we able to see the delicate objects before and after they start exploding. These events are silently observed by a group of avatars. Environments from the Universal Objects series are non-narrative situations – vibrational, living surroundings filled with elements that are either inanimate or executing simple behavioral patterns through which the situations themselves become like an...
Production: Ultramono, 2015-2017
Universal Objects: Explosions is a work containing four scenes of exploding objects. Only for a brief fragment of time are we able to see the delicate objects before and after they start exploding. These events are silently observed by a group of avatars. Environments from the Universal Objects series are non-narrative situations – vibrational, living surroundings filled with elements that are either inanimate or executing simple behavioral patterns through which the situations themselves become like an...
Tanja Vujinović - Universal Objects: Observers (00:01:44)
Production: Ultramono, 2015
In the series of works called Universal Objects: Observers, avatars observe iterations of themselves displayed in a gallery environment. Environments from the Universal Objects series are non-narrative situations – vibrational, living surroundings filled with elements that are either inanimate or executing simple behavioural patterns through which the situations themselves become like an organism. The units of these works were made through data bending. This involves converting files to various formats,...
Production: Ultramono, 2015
In the series of works called Universal Objects: Observers, avatars observe iterations of themselves displayed in a gallery environment. Environments from the Universal Objects series are non-narrative situations – vibrational, living surroundings filled with elements that are either inanimate or executing simple behavioural patterns through which the situations themselves become like an organism. The units of these works were made through data bending. This involves converting files to various formats,...
