Miha Vipotnik - Space 2 (01:53)
Production: Max-Max (Brut), 1986
In his video work the author gives an ironic statement about the state of home video production of that time and its integration in television programme (recorded for Petak u 22. TV Belgrade show in 1984). In the beginning the artist is sitting in a studio in a manner of TV broadcast presenters. His statement continues in an off over a montage of segments of one of his older video works Space shot in black and white. The montage is edited with added chroma key. Video was shown as part of Avtovizija (1986),...
DIVA 1986
6 results in works
Miha Vipotnik - Auto-Vision (14:54)
Subtitle: TV program on video art in Slovenia
Production: M.A.X. M.A.X., 1986
Auto-Vision was TV program produced by Miha Vipotnik as director and Marijan Osole–Max as editor in M.A.X. M.A.X. (Brut)studio for RTV Ljubljana (in frame of Integrali series). It was announced as »the only program about artistic videos by video artists on video art in Slovenia«. It includes Vipotnik's statement/talking head about television’s negative attitude to video (makers). Auto-Vision was an early example of a creative usage of techology, combining the segments of video art wo...
Subtitle: TV program on video art in Slovenia
Production: M.A.X. M.A.X., 1986
Auto-Vision was TV program produced by Miha Vipotnik as director and Marijan Osole–Max as editor in M.A.X. M.A.X. (Brut)studio for RTV Ljubljana (in frame of Integrali series). It was announced as »the only program about artistic videos by video artists on video art in Slovenia«. It includes Vipotnik's statement/talking head about television’s negative attitude to video (makers). Auto-Vision was an early example of a creative usage of techology, combining the segments of video art wo...
Neven Korda - It Rains (00:02:29)
Production: ATV - FV Video, ŠKD Forum & Brut, 1986
A video clip of a legendary female hard-core band, Tožibabe.
Production: ATV - FV Video, ŠKD Forum & Brut, 1986
A video clip of a legendary female hard-core band, Tožibabe.
Alen Ožbolt, Janez Jordan, V.S.S.D. - She was what he had missed (00:11:23)
Production: Škuc - Forum, 1986
Cel sistem reprezentacije neke umetnine je nekakšno vnaprejšnje organiziranje vednosti, neke vednosti, ki pa jo avtor venomer prikriva; da jo slutiti tako, da jo skrije. Ona je bila tisto, kar je bil zgrešil; iskal je, ker ni vedel, da je to kar išče že našel, da se mu to kar išče vselej že ponuja. Naslov je tu morda prav zato, ker sem ne spada. (vir: Š-F)
Production: Škuc - Forum, 1986
Cel sistem reprezentacije neke umetnine je nekakšno vnaprejšnje organiziranje vednosti, neke vednosti, ki pa jo avtor venomer prikriva; da jo slutiti tako, da jo skrije. Ona je bila tisto, kar je bil zgrešil; iskal je, ker ni vedel, da je to kar išče že našel, da se mu to kar išče vselej že ponuja. Naslov je tu morda prav zato, ker sem ne spada. (vir: Š-F)
Marko A. Kovačič - Mirror Knows the Secret (00:02:34)
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests the modified image with greater dynamics and gives it the mark of experiment. The use of digital (mirror) effects allows for the reproduction of the same image in the rhythm of music. (Source: Videodokument) A short video project made for the TV show Auto-vis...
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests the modified image with greater dynamics and gives it the mark of experiment. The use of digital (mirror) effects allows for the reproduction of the same image in the rhythm of music. (Source: Videodokument) A short video project made for the TV show Auto-vis...
Marko A. Kovačič - American Dream (00:06:43)
Production: Brut film, 1986
An ambivalent deconstruction of fantasies about the promised land and faith in art, which is carried out through the stereotypical game of infinite hide-and-seek. It is a dialectic confrontation of the certain heroics of the regime that operated by prohibitions and its own detachment from the people, with the proclamation of a rapprochement with Western systems of liberal capitalism. (Source: DIVA)
Production: Brut film, 1986
An ambivalent deconstruction of fantasies about the promised land and faith in art, which is carried out through the stereotypical game of infinite hide-and-seek. It is a dialectic confrontation of the certain heroics of the regime that operated by prohibitions and its own detachment from the people, with the proclamation of a rapprochement with Western systems of liberal capitalism. (Source: DIVA)