Neža Knez - Square (13:00)
Production: N.K., 2019
Video is a documentation of a public action performed by the artist while on a residency in New York. Every day she was cleaning the same concrete square on the sidewalk in front of the entrance of her apartment. The first part of the video is recorded inside the car, where the cabbie enthusiastically explains Brooklyn. It is followed by clips of street traffic and the sidewalk. The second part of the video is composed of recordings of daily cleaning of the square on the sidewalk, shot from different angles. Th...
DIVA 2019
48 results in works
Nika Ham - Video Spot (00:03:17)
Production: N.H., 2019
The Video Spot was created in collaboration with violinist Alicia Enstrom. The video recordings were made from 2016 to 2019 using the surveillance cameras in the Moderna galerija (MG +) in Ljubljana. The song entitled Monster Cries is the work of the American violinist Alicia Enstrom.
Production: N.H., 2019
The Video Spot was created in collaboration with violinist Alicia Enstrom. The video recordings were made from 2016 to 2019 using the surveillance cameras in the Moderna galerija (MG +) in Ljubljana. The song entitled Monster Cries is the work of the American violinist Alicia Enstrom.
Sara Bezovšek - Revenge Porn (04:53)
Subtitle: 1.del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Subtitle: 1.del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Sara Bezovšek - Cyberstalking (05:27)
Subtitle: 2. del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Subtitle: 2. del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Sara Bezovšek - Sextortion (06:06)
Subtitle: 3. del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Subtitle: 3. del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Matevž Jerman - Remains - Confessions to the Ghosts (40:08)
Production: Gustav film, 2019
Niko Novak’s songs inhabit and carve out the physical and interpersonal landscapes and distances discarded by another film – with sound, melody, expressiveness and voice weaved into dark, balladic rock. Something highly amorphous, intangible, restless and presently absent is embodied; we hunt ghosts, memories and feelings that inhabit the spaces between pictures and songs. “If you have ghosts, you have everything.” (Source: Luka Zagoričnik)
Production: Gustav film, 2019
Niko Novak’s songs inhabit and carve out the physical and interpersonal landscapes and distances discarded by another film – with sound, melody, expressiveness and voice weaved into dark, balladic rock. Something highly amorphous, intangible, restless and presently absent is embodied; we hunt ghosts, memories and feelings that inhabit the spaces between pictures and songs. “If you have ghosts, you have everything.” (Source: Luka Zagoričnik)
P L A T E AU R E S I D U E - Sub Persona (trailer) (03:29)
Production: P L A T E AU R E S I D U E, 2019
Sub Persona is a research project that focuses on the importance of forests its ecosystemic, economic, recreational and cultural functions, which are too often taken for granted by humans. From human habitation to the present, resource exploitation and deforestation have led to a decrease in the extent, quality, and condition of the self-regulatory mechanisms of the forest ecosystem. In the past complex inter-species relationships and energy flows have enabled the forest to successfully adapt to the effects...
Production: P L A T E AU R E S I D U E, 2019
Sub Persona is a research project that focuses on the importance of forests its ecosystemic, economic, recreational and cultural functions, which are too often taken for granted by humans. From human habitation to the present, resource exploitation and deforestation have led to a decrease in the extent, quality, and condition of the self-regulatory mechanisms of the forest ecosystem. In the past complex inter-species relationships and energy flows have enabled the forest to successfully adapt to the effects...
Nataša Prosenc Stearns - Code L (03:06)
Production: SNG Opera in Balet Ljubljana in Nataša Prosenc Stearns, 2019
The original contemporary opera code L was composed by Slovenian composer Milko Lazar and was first performed at SNG Opera & Ballet Ljubljana in March 2019. The opera is composed by several arias and choruses and inspired by Roland Barthes' Fragments of Lover’s Discourse. The visual part, created by Natasa Prosenc Stearns, is composed by four simultaneous video projections onto moving semi-transparent screens. The music and images address the most popular theme of traditional o...
Production: SNG Opera in Balet Ljubljana in Nataša Prosenc Stearns, 2019
The original contemporary opera code L was composed by Slovenian composer Milko Lazar and was first performed at SNG Opera & Ballet Ljubljana in March 2019. The opera is composed by several arias and choruses and inspired by Roland Barthes' Fragments of Lover’s Discourse. The visual part, created by Natasa Prosenc Stearns, is composed by four simultaneous video projections onto moving semi-transparent screens. The music and images address the most popular theme of traditional o...
Nataša Prosenc Stearns - Code L – Fragments (00:59)
Production: Nataša Prosenc Stearns, 2019
Code L - Fragments is a video installation created by two synchronized projections onto transparent screens. They integrate shadows and silhouettes of visitors and reflections of the architectural elements into the body of the installation. What emerges is a space-inside-of-space into which the visitors enter. According to the curator Peter Tomaz Dobrila, “The artist used to place humans at the center of the natural environment in her earlier works, reappropriating the image of the human bo...
Production: Nataša Prosenc Stearns, 2019
Code L - Fragments is a video installation created by two synchronized projections onto transparent screens. They integrate shadows and silhouettes of visitors and reflections of the architectural elements into the body of the installation. What emerges is a space-inside-of-space into which the visitors enter. According to the curator Peter Tomaz Dobrila, “The artist used to place humans at the center of the natural environment in her earlier works, reappropriating the image of the human bo...
